This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.

A comedy about New York and its eccentric inhabitants. A French filmmaker comes to New York to show her film at MOMA. Fascinated by the city, she decides to stay.

A repressed young woman becomes obsessed with pornography and the mysterious rich patrons of the Times Square porn theater where she works selling tickets.

THE VESTAL THEATRE is a documentary shot in the lobby of a movie theater from behind the candy counter. The camera was turned off only when it ran out of film. It was shot sync-sound fixed camera. The movie goers could see the camera clearly (no Allen-Funt cute). Like Monet's cathedral, this same image would never have been the same again. The image is composed of complex, multilayered planes of focus. And I love the way people ask for popcorn and tap their dollar bills. Film time and real time are the same.

This is a film which I keep changing. It's a structural comedy starring people's garbage, shot in the Harpur college snack bar; indigestion yellow. The beginning of thinking and working in a particular way with image-sound/image-silence relationships. –H. K.

The ultimate Walt Disney dog marking time. The bigger the screen the better. Dream machine and time machine.

Portrait of a family I lived with. They represent a large chunk of the past, ambiguous. A film in which the image serves as punctuation for the sound; the image is a tease. – H. K.

Dialogue by David Cohen. Used to be called AUDITIONS FOR DIALOGUE.

A New Jersey family discovers their drinking water is contaminated with deadly poisons from a nearby landfill.