Third movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

First movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu, based on the works of Eduard Štorch and directed by Jan Schmidt. Each of the films is a completely separate and self-contained story, although they are all connected by some characters and, of course, by time - five thousand years ago. The story of the Ravenpiercer, a young hero from the Stone Age, is shrouded in mystery - for he was brought there by a swollen river. He was fished out of the waves by a young hunter, Sokol, and adopted by the Raven village. The fate of the boy from his childhood through his desire to become a hunter, through the many disappointments that await him among the adults, to the founding of a new family - this is the plot thread connecting the individual parts.

An outdated fireclay factory is due to close, but its long-time employees can't imagine stopping what has fed them all their lives and what they do best...

Three detective stories from industrial Ostrava. Police search in vain for a missing 16-year-old girl, but succeed in finding a mentally disturbed infant kidnapper. In a case of robbery, at the cost of injuring one of the investigators, they manage to apprehend a lover fleeing with stolen money across the border to Poland...

The historical television play was written based on Vančura's Pictures from the History of the Czech Nation and takes place against the backdrop of the European situation at the beginning of the thirteenth century. Přemysl Otakar I., father of Agnes of Přemyslid, sought recognition of the Czech lands as a hereditary kingdom. And what about his love and fickleness? The story will answer this, in which poetry and truth diverge only in the degree of emotional movements, in the tremors of souls, which lead to love as well as to hatred.

Late at night Eva Trojanová returns home to an agitated husband; three days later, her body is found with bruises on her neck. Her spouse, missing after a business trip, becomes the prime suspect and flees to northern Bohemia. When investigators learn he is innocent, Captain Hart continues pursuing him, not as a criminal but as a desperate man whose plight may endanger himself or draw him into conflict with the law.

Even under socialism, it was not advisable to cross the line between rich and poor. When a mason's apprentice falls in love with a girl from a wealthy family who lives in a magnificent villa during his first thug, he can hardly expect his feelings to be fulfilled. The schematic and lifeless depiction of the young generation has hardly contributed to a truer view of contemporary reality.