Office worker Věra has a big day ahead of her, full of preparations, as her wedding to her boyfriend Zdeněk is coming up. During this time, she has had time to think since morning, and even a small action, a look at a photo or a specific word, can revive memories of what preceded this day in her mind. Immersed in herself, she returns to her relationship with Zdeněk, reflects on her family and her colleagues from the tractor factory where she met Zdeněk. However, these fragments do not evoke a feeling of happiness in her, but rather doubts and bitterness. However, she still hopes that today is the beginning of a new life for her, that everything that was said by her beloved and others will pass away today.

The kids were smoking secretly in a barn, set fire and fled. Feeling that the investigation closely, "sits on his tail" and soon will be declared to her parents, the protagonist escapes from home. The charred ruins of the barn, he meets a young man who is also why some carefully avoids meeting people, and tied him. According to the book Hoffmann Ota (Ota Hofman).

The female employees of the poultry-processing factory find relief from their monotonous work in chatting about weddings and marriages. The very young Zdena (Marta Vancurová), too, dreams about a white veil and an entourage of bridesmaids. On her return home from work, she runs into a peculiar man on an abandoned road who pertinaciously offers to read her palm for a few crowns to buy soup. His augury is rather usual - wealth and poverty, suffering and happiness. Then however, he declares that Zdena must marry exactly on 3 November of that year otherwise she will be unhappy.

Petr Rynes (Svatopluk Matyás) is celebrating his forty-fifth birthday in the company of his friends. He is happy with his wife, and his abilities at work have been rewarded with the medal For Outstanding Work. But a few short seconds are enough to change his life when he makes the ill-judged decision to take his car to bring a friend's wife to the celebration, and hits a pedestrian on the way. He has of course been drinking at the party and is consequently sentenced to sixteen months in prison. Being in jail is not an easy thing for a honorable communist. He soon gets into conflict with several violent inmates, who think they can break his spirit by violence.

Adolf, the irresistible seducer of women, is fond of Janicka, a novice opera singer. The girl, however, prefers famous men and Adolf thus does not have a single chance with her. One day in a hospital, he meets a Greek partisan named Apostolek who impresses him with his spontaneity and ease in solving all problems, especially those with women. Adolf has an idea for a revenge. He makes Apostolek familiar with social manners, dresses him after the latest fashion and introduces him to Janicka as a Greek conductor. Janicka instantly falls in love with the made-up composer and Apostolek does no better.

Zofie and Dominika, two girls of very different temperaments, become friends during hop-picking volunteer work in the summer. Zofie (Jaroslava Schallerová) is serious to the point of reticence and she is delighted with her friendship with Dominika. For the self-assured and superficial Dominika (Irena Svárová) the whole thing is just a momentary whim. When she leaves the work camp before everybody else, she doesn't even say goodbye to Zofie. The two girls meet again after the holidays as first-year students at medical school, and become close again during the nursing techniques class.

It is 1920, political unrest is growing in Prague and the Social Democrats are about to betray their historic mission by prioritising their own selfish interests instead of those of the working class. An extortionist scandal falls on the Social Democratic deputy Jandák, forcing him to renounce his convictions. Under these circumstances, the seriously ill Hungarian revolutionary Kerekes, who had to flee his homeland, is hiding in Prague...

A friendship made at the international pioneer camp in Artek is sealed by the gift of a live bear cub... Educators feared that the film might inspire young viewers to unscripted acts, but even the children didn't take this much-imagined story seriously...