Film installation depicting aerial landscape photography at Sebastião Selgado's Amazônia exhibition. Accompanied with 'Erosão - Origem do Rio Amazonas' by Heitor Villa-Lobos.

Against all advice, a destitute Brazilian old man marries a nineteen-year-old girl. Because he can’t give her any children, he moves to the interior to make money, so she will at least have a good life. When he returns, he is told she has a three-year-old daughter. He buys himself a knife.

In Rio de Janeiro, Gilberto (Celso Guimarães) is a talented artisan engaged of Marina (Lídia Mattos), working in a pottery factory. He is hired by the millionaire widow Luciana (Carmem Santos) to perform a restoration in her castle in Correas, a district of Petrópolis. He suffers an accident and Luciana lodges and treats him for a long period, and they fall in love for each other.

O Descobrimento do Brasil (The Discovery of Brazil) is an impressive historical epic recreating Álvares Cabral’s voyage to the New World in 1500, with a score especially written by the renowned composer, Heitor Villa-Lobos. One of the earliest examples of Brazilian cinema, this film depicts the perilous journey of Pedro Álvares Cabral’s armada from Portugal to Brazil. Though somewhat rudimentary compared to other films of the period, The Discovery of Brazil distinguishes itself with its scenes of indigenous people and Portuguese explorers on the beach, and in the imaginative lighting on board the ship. But the real star is the beautiful cantata by Villa-Lobos that permeates the film.

Swain is inspired by Nathaniel Hawthorne’s Fanshawe, features a dreamlike narrative of a young man’s ritualized rejection of heterosexuality, as a mysterious woman in white gossamer pursues him through a ruined landscape.

A young Venezuelan idealist flees his native land to escape a revolution. Hoping to find peace, he goes to the mountains and the forests of the Amazon. There he encounters Rima, the Bird Girl, an orphan living a life of nature, who is feared by a local jungle tribe.

The only musician to perform at the Modern Art Week of 1922, composer Villa-Lobos was the object of the biggest boos at that event. After that, he decided to spend some time in Paris, where he met characters like Jean Cocteau, Andres Segovia, Arthur Rubinstein, among others. It is from there that Villa-Lobos confronts his identity, starting to seek new directions for his work in his roots. This movie travels through the places where the musician went in the French capital, investigating the causes and effects of these encounters and the city in his work.

Curitiba is a maze of ideas, people and contradictions. This short-film shows that perspective of the city, with its statues, ghost buses, brokens sidewalks and capybaras.