Gilberte Montavon was a legend in her own lifetime. As a young woman, she was confidante to hundreds of thousands of Swiss-German speaking soldiers during the First World War, and remembered most of their names. She was still a teenager when the war began, and was immortalised by a song written during the war years by the Swiss-German bard and lute player, Hans Inn der Gand.

The paths of guests and employees cross at the Palace Hotel in St. Moritz: A chambermaid experiences financial difficulties. A guest has been robbed. A thief is caught. An assistant cook is promoted to waiter. And there’s no shortage of love in this small world of the great Hotel Palace. Keeping an orderly eye over proceedings is the hotel’s beautiful patron, whose heart is in the right place.

The film follows a group of 14 Swiss girls during and after their final exams. It shows their little worries, joys, and conflicts during a time of transition from youth to adulthood.

A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.

If any one man is responsible for the rejuvenation of the postwar Swiss film industry, that man was director Leopold Lindtberg. Matto Regiert (Madness Rules) was co-adapted for the screen by Lindtberg from a novel by Friedrich Glauser. Heinrich Gretler stars as Police Constable Studer, the hero of several of Glauser's most popular works. This time, Studer must solve the murder of the director of an insane asylum -- and it's not (surprise, surprise) the most likely suspect, manic-depressive patient Herbert Caplaun. For box-office purposes, Matto Regiert stresses a romantic subplot involving Caplaun and nurse Irma Wasem.

Gessler, the Rütli Oath, the apple shot, the Hollow Lane: the deeds of Swiss national hero William Tell in his fight against tyranny and violence in 1291. Based on Friedrich Schiller's drama and Aegidius Tschudi's chronicle.

In the forest of Hablikon, the administrator Reichle is found shot dead. He had gone hunting with three other respected citizens of the community. Detective Sergeant Müller takes charge of the investigation. The first suspect is the nephew of one of the hunters, who was also at the scene at the time of the shooting and was on parole from prison. With no clear motive, Müller focuses his attention on the honorable and irreproachable fellow hunters. Their clean facade begins to crumble during his investigations. Village doctor Amsler, banker Meier, and architect Häuptl all had something to hide. Reichle knew about their private and business misdeeds. Müller also learns from Alvine Dünki, the dead man's lover, that money from the community coffers was used for the four men's entertainment. The murderer is convicted after the crime is reconstructed.

After the death of his parents, Beat Matter grows up with the Escher family. Their son Dominik is his best friend. As a young man, Beat enlists for two years of service with the Papal Swiss Guard in Rome. Shortly before starting his service, he meets Dominik's fiancée Jacqueline at an Alpine festival. He falls in love, even though he knows that Jacqueline is already promised to someone else.