Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

Double murderer Dr. Crippen is using every means possible to search for a manuscript that he suspects is in the possession of the daughter of the man who was executed in his place.

This Nazi propaganda film tells the story of a young truck driver who is having trouble making ends meet until he is exposed to the teachings of Adolf Hitler, and he joins the S.A., aka Storm Troopers, and manages to convert his father--a former soldier with Marxist leanings--and his girlfriend of the rightness of the Nazi cause.

After years of silence, Thomas reunites with his great love, Petra, and is devastated: She has married his best friend, Christoph. Thomas remains friendly but secretly schemes to denigrate Christoph as a criminal and thus reclaim the woman he loves.