A free-wheeling chronicle of the Munich sex film industry in the 1970s.

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

Zagreb-born artist Vlado Kristl (1923-2004) was the most radical of the German auteur filmmakers. This is an anakofilm.

What to do if you are stuck as a police officer in a boring small town, no decent crimes happen and you should actually make the big career at the instigation of your wife? In this lamentable situation is Heinrich Karpf. An unfine plan is supposed to bring about the change: where there is no spectacular case, one must be faked...

Fashion model Sylvie falls asleep drunk in the cab of Munich taxi driver Paul, and an impossible love affair beckons.

The early films of Wim Wenders are now regarded as landmarks of European film. Alice in the Cities, Wrong Move and Kings of the Road became foundations of the German New Wave and cemented the reputation of their director. In One Who Set Forth: Wim Wenders' Early Years Marcel Wehn explores the background to these films. Through personal recollection and rare home movie footage, it documents the director's early life, from experiments with his first camera, via his deviation from a career in medicine in favour of art and film, through to international recognition for the Road Trilogy. Central to these were themes that became cornerstones of all his work: national identity, the importance of personal relationships and the allure of the road. With contributions from the director and the many collaborators who helped define his vision, One Who Set Forth is a compelling account of Wim Wenders' life and work.