After the death of his wife, 69-year-old Elmar Kern lacks the drive to make a fresh start. But his late wife had already made provisions for this eventuality - during her lifetime.

The gynecologist Marta lives peacefully with her son Nathan in the run-down country house of the rich journalist and system critic Roland - until the poor migrant worker Valmir is called in as a handyman and brings forgotten secrets back to light. In this visually stunning chamber drama, which is also a socio-critical family thriller, author Karin Kaçi and director Sebastian Ko relentlessly expose the sins with which the privileges of prosperity are bought - and the price that must ultimately be paid for them.

Joseph is in his mid-sixties and has just lost his beloved wife. Everything in his big old mansion reminds him painfully of the years they spent together. One day several visitors turn up unexpectedly. They seem to be relatives of his deceased wife. In the beginning, the uninvited guests treat Joseph with loving care, but bit by bit the situation begins to change. The visitors slowly, almost unnoticably, become aggressive, even hostile, invaders. They try to get rid of Joseph and take over his house, his world, his thoughts. Is this just the paranoia of an old man or really a ruthless invasion?

Eifel landlady Toni Janssen wants a child, but not necessarily a man. After an alcohol-fueled slip, her ex-boyfriend Hajü, of all people, gets her hopes up. Meanwhile, Heidi accidentally meets an old childhood friend.

Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.