Iris and Ariel are 17-year-old twins, who live with their mother and older sister in an old house in the middle of a rocky island covered with molluscs and birds. The teenagers have grown up isolated from the mainland, in a sibling relationship that surpasses the limits of normal intimacy. The abrupt absence of their mother deeply wounds the three siblings, and Iris, moved by a strong need of separating herself from her brother, decides to go alone to the city for the first time.

A counterfeit count is aided in his courtship of the heroine by her father who is overwhelmed by his "title."

In this early short Harold Lloyd sneaks into a movie studio in order to locate an attractive young lady he's just met at a snack bar. He's retrieved a letter she dropped and wants to return it to her, but it's pretty clear that his interest extends beyond mere politeness. (She's the adorable young Bebe Daniels, so this is easy to understand.) The movie studio setting provides Harold with lots of opportunities to do what comedians do in comedies like this one: flirt with actresses, anger the studio brass, and dash through sets disrupting everything.

Our vagabond hero dons a lifeguard's uniform and madcap antics ensue on the beach, and in the changing stalls!

Stan Laurel is picked up at the train depot and brought back by the husband to the family home where the wife is having a suffragette meeting. None too pleased they cause mayhem and then the neighbours are brought into it as Stan cleans up the backyard by throwing all the rubbish into their award winning garden.

A photo studio operator seems only interested in flirting with women. Hilarity ensues.

A nervy young man follows a pretty lady into a diner to flirt with her, but winds up getting stuck with the tab.

A short film starring Harold Lloyd.

A rich man's daughter has more suitors than she's interested in, and he's going to marry her off -- even if she doesn't know about it.

Harold Lloyd starred in the successful Lonesome Luke series. However, he soon grew tired of the obvious Charlie Chaplin imitation. In an attempt to reinvent himself, Lloyd donned a pair of horn-rimmed glasses, and thus, a new comedy legend was born. Setting himself against Chaplin, Lloyd's "glasses character" was an everyman, a resourceful go-getter who embodied the ambitious, success-seeking attitude of 1920s America.