The film is considered one of the first Moroccan cinematic tapes that tried to convey Moroccan reality with its traditions and customs to the cinema screen in a bold way, especially the issue of sex in Moroccan society, an issue that cinematographic works have always avoided before.

One of six travelers who catch the bus from Casablanca airport to Marrakesh is carrying $2 million to pay a local operator to fix United Nations votes. But which one?

Oud Al Ward is kidnapped by a gang of slave traders and is sold to a rich man, who teaches her music until she outperforms him at a party, so he decides to marry her, while she is unaware of the plots she's going to incur at the hands of his wives.

Le Regard is Nour-Eddine Lakhmari's first film. It is a film about abuse of power, guilt, and redemption. In Le Regard, 70-year-old French photographer Albert Tueis finds himself confronted with his past. As he prepares for an exhibition that will bring together all the works from his photographic career, he remembers the photos he took at the age of 19. A soldier during Morocco's war of independence, the young Albert was a photographer for the French army. The photos he took at the time were never published. One thing is clear: without these photos, the retrospective of his career will not be complete. Albert Tuies decides to return to Morocco to find the negatives he buried there. But he finds himself confronted with a new Morocco. And as he encounters the present and the rivalries and difficulties it hides, increasingly powerful and brutal images from the past resurface.

On an island off Casablanca, an old footballer shares his days with his granddaughter and dreams of this final he could have won if he had not spent the night with a woman.

In sixth-century Mecca, Prophet Muhammad receives his first revelation from God as a messenger. Three years later, he's not alone in his quest and publicly declares his prophecy. Muhammad is fought by Abu Sufian and his wife Hind, rulers of Mecca. Muhammad's followers are hunted and tortured but he continues his calling.

Shattered by the loss of her child, Nyla Jayde, a brilliant criminal defense attorney, takes on a case involving a 14th century Moroccan legend, a vengeful spirit named Kandisha.

An adventurer intends to seize the fabulous treasure of the Tuaregs. But when he falls in love with a beautiful Indian woman, he ends up defending the booty from other adventurers with less scruples.

The Movie is a kind of tale, a look at a not so distant past that will allow everyone to make a judgment on the behavior of all the actors of this slice of history, of those who fought with courage and dignity. Those who took advantage and fortune.

The nomadic life of Moroccan carnival performers forms the basis of this debut from director Daoud Aoulad-Syad. Rabi, a female impersonator who dances with traveling fairs, teams up with Kacem, who hires him to ballyhoo his gambling concession. While Rabi's lack of romantic interest in women befuddles Kacem's son, he does strike up a friendship with a schoolteacher (Nezha Rahile), who in her way is as much of a misfit as Rabi.