After his wife passes away, the ailing Akbar marries Tina, a widow. Akbar’s illness makes him lose his job so Tina has to work in a garment factory. Akbar’s effort to find a job is fruitless and he passes away shortly after. His three children Mimi, Memet, and Ayu cannot stand their stepmother’s fickleness. They leave quietly to find the family of their biological mother. This is not easy since they don’t have her address. They work at any job to survive - housemaid, shoe shiner, parking boy etc. One day they meet John who buys and sells used newspapers. Mimi and Memet are given a small business of selling ice and pastries. Then Memed accidently takes the wrong train but fortunately, a rich man adopts him. However, Memed returns home as he misses his younger siblings. The reunion is short since Ayu passes away.

Failing a suicide attempt, Arni is rescued and treated in a house. Living next door is a journalistic photographer, Baron. Both of them fall in love with each other. In the end it is discovered that Arni is the wife of a famous businessman who is having an affair with a famous fashion model

Failing a suicide attempt, Arni is rescued and treated in a house. Living next door is a journalistic photographer, Baron. Both of them fall in love with each other. In the end it is discovered that Arni is the wife of a famous businessman who is having an affair with a famous fashion model

Failing a suicide attempt, Arni is rescued and treated in a house. Living next door is a journalistic photographer, Baron. Both of them fall in love with each other. In the end it is discovered that Arni is the wife of a famous businessman who is having an affair with a famous fashion model

Failing a suicide attempt, Arni is rescued and treated in a house. Living next door is a journalistic photographer, Baron. Both of them fall in love with each other. In the end it is discovered that Arni is the wife of a famous businessman who is having an affair with a famous fashion model

Linda gives birth to an illegitimate child from a relationship with her boyfriend, Alex, who dies in an accident. To avoid a scandal, her father asks his younger sibling to take the baby to Cirebon. Linda is then told that the baby is dead. The baby, Yatim, is treated badly by the caregiver. The caregiver steals the money sent by Linda’s father to support the baby, so Linda’s father gets angry when more money is demanded. Linda overhears the conversation and is told the truth. So Linda goes to Cirebon to pick up her child but Yatim has already run away to Jakarta to look for her. He is aimless and homeless, and becomes a shoe polisher. A children’s toy seller hears a radio broadcast looking for the missing child and advises Yatim to go meet his parent. Yatim refuses, and instead gets hit by a car. Finally, they are reunited at the hospital.

Singer Anna Maria Larasati is a widow with one child but after returning from a visit abroad, she regains her popularity back home. One of her fans, Johan, is the son-in-law of a rich man, who is not happy with his marriage and now tries to pursue Anna Maria. But she rejects him and he gets into an accident and is killed. Then Budiman, comforts her and also helps her take care of her son, Boy. Budiman has been attracted to Anna for a long time but when their love starts to bloom, Anna’s chronic disease strikes back. On her deathbed, she asks Budiman to look after Boy.

Singer Anna Maria Larasati is a widow with one child but after returning from a visit abroad, she regains her popularity back home. One of her fans, Johan, is the son-in-law of a rich man, who is not happy with his marriage and now tries to pursue Anna Maria. But she rejects him and he gets into an accident and is killed. Then Budiman, comforts her and also helps her take care of her son, Boy. Budiman has been attracted to Anna for a long time but when their love starts to bloom, Anna’s chronic disease strikes back. On her deathbed, she asks Budiman to look after Boy.

Drawing from the novel, lenong (play) and the previous film (Njai Dasima I), this new film version has heightened erotic scenes considered the boldest for its time. But as mentioned by the director, the eroticism is meant to reveal the psychological aspects of the characters. Unlike the previous version, that mainly highlights conflict between love and witchcraft, this one features social and psychological conflicts. For example, how Dasima feels like an outsider with Edward Williams’s friends, or how she prefers leaving their house to live with her maid in the village. It also shows more background of the Samiun and Hayati characters - Samiun is a black market trader with a lot of debts and Hayati is a woman obsessed with gambling to get rich. When his debts are due and he is unable to pay, Samiun asks his friend, Puasa, to “rob” him while he is returning to their village with Dasima.

Marzuki has a relationship with Fatimah, but they do not get her parents’ approval because he is unemployed. He goes to the city to find a job, but then has an affair with Leila, an older woman. Because Leila causes his break-up with Fatimah, Marzuki turns to yet another older woman. But then he comes back to Leila’s arms. He gets a message from his mother that Fatimah is seriously ill. He goes back home and leaves Leila alone.