Bundeswehr soldier Klaus’ regiment is stationed in France, to take part in NATO maneuvers. The soldiers are ordered to be kind to the populace, since the West German High Command wishes the French to forget the atrocities that were committed during the Second World War. Klaus falls in love with Jeanne, the daughter of the local mayor. He discovers that his commanders intend to demolish the ruins of a local church, in which civilians were murdered by the German occupation forces at 1944. A local journalist who researches the event discovers that West German General Rucker ordered the massacre, but he is mysteriously murdered. Klaus defies his commanding officer Siebert, who instructs him to steal the documents indicting Rucker, and hands the evidence over to Jeanne.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Hatifa is tired of her difficult fate and escapes from the place of her enslavement, a quarry in the desert. There she wanders around in freedom, but ultimately helpless, without water or food. Shortly before dying of thirst, she is saved by the sage Simsal, who is traveling with a caravan of the merchant Ganem. Hatifa quickly makes many friends, including the young servant Hodja. Only to him she confides her secret. The girl had to keep the fact that she was a slave to herself. After all, anyone who helps escaped slaves is mercilessly threatened with the death penalty. Out of consideration for the caravan, they both flee, but are soon picked up by Ganem. When he realizes that he can make a lot of money with Hatifa, he sells her again to a quarry.

Hated by her jealous and bloodthirsty stepmother, Snow White flees a murder attempt and seeks shelter in the woods with seven kindly dwarfs. Feeling she is safe from harm, Snow White welcomes the disguised queen into her home...with fatal consequences.

East German short film

Lifelong hard work for the count makes the servant Anton a cripple. Everybody calls him Crooked Anton. When, after the end of the war, the land of the count gets divided amongst the farmers, Anton receives a piece and hopes to be able to work freely. But an old debt and intrigue keep Anton and his family from finding peace. The farmers of the village begin to discover their own power when Annegret, Anton's daughter, leaves. Is a new beginning possible for Anton? This film paints an impressive panorama of the development of a minor village in Mecklenburg from the end of the war to the uprising of 17 June 1953.

A story about a family after the Second World War. The petty bourgeois cashier Karl Weber of Berlin observes from a distance how his son Ernst participates in the building of a new socialist society. Karl does not understand Ernst's visions, instead he confides in his other son Harry. However, Harry becomes involved in illicit business and Karl quickly realizes that it would be best to join his son Ernst in the citizen-owned factory.

The brothers Theo and Gustav Benthin pull profits through smuggling in divided Germany: Theo in the West and Gustav in the East. The East German police catch on quickly, however, and Gustav is arrested. The small band of smugglers disperses, with Gustav’s chauffer Peter Naumann fleeing to the West and his sister choosing the East after struggling to find work and lodging in the West.

High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.