In the Summer of 1963, Flint, Michigan is home to the Watsons, a close knit family. When 15 year-old Byron’s antics go over the top, his parents realize enough is enough and they decide the family needs a dose of Grandma Sands' no nonsense approach in Birmingham, Alabama. So the Watsons load up their 1948 Plymouth Brown Bomber and head South. When they finally make it to Birmingham, they meet Grandma Sands and her friend, Mr. Robert and discover that life is very different there than in Flint. During that historic summer, the Watsons find themselves caught up in something far bigger than Byron’s antics; something that will change their lives and country forever.

Struggling to find his place in the world while juggling school and family, Brooklyn teenager Miles Morales is unexpectedly bitten by a radioactive spider and develops unfathomable powers just like the one and only Spider-Man. While wrestling with the implications of his new abilities, Miles discovers a super collider created by the madman Wilson "Kingpin" Fisk, causing others from across the Spider-Verse to be inadvertently transported to his dimension.

Aspiring club promoters and best buds Damon and Kevin are barely keeping things together. Out of money, down on their luck and about to lose the roofs over their heads—and freshly fired from their low-lift jobs as house cleaners—the pair needs a huge windfall to make their problems go away. In a ‘what the hell?’ move, they decide to host the party of the year at an exclusive mansion, the site of their last cleaning job, which just happens to belong to none other than LeBron James. No permission? No problem. What could go wrong?

In Los Angeles, five high-school friends deal with romance, money, prom, college, sex, bullies, social media, fitting in, standing out, and finding themselves.

Ifeanyi has been planning his first move; he just needs an in. Or maybe an unobstructed view. His intentions are dubious but pure. He swears! After getting a pity-invite, he finally gets the chance he’s been waiting for. But will it be too late? if(fy) explores the idea that the rules dictating our morality are re-written in the presence of things we want more; and how our outer face often masks an inner struggle to navigate our fears.