
Acting
Harold Torres (Born March 15, 1991 at Mexico City,) is a Mexican actor, known for his performances in the leading roles in the television series Run Coyote Run broadcast on the FX channel and ZeroZeroZero. Harold Torres graduated from a BFA in acting at the Centro Universitario de Teatro (CUT or University Theater Center) at the UNAM (Mexico's National Autonomous University). He has participated in more than 30 feature films amongst them are Norteado, La Cebra, González falsos profetas, Espiral, Los Bañistas and Colosio el Asesinato. For television, he has participated in La ruta blanca for Imagen TV, Niño Santo and Crónica de castas for Canal Once, Texas Rising for the History Channel and Run Coyote Run and Sitiados Mexico for Fox, as well as Ingobernable for Netflix. He has been directed by María Novaro, Everardo Gout, Carlos Bolado and Julián Hernández, Marcel Sisniega, Nicolás Pereda and Rodrigo Plá. He was selected to participate at the Berlinale Talent Campus in 2011 and has been nominated in three occasions for the Ariel award as best actor in Norteado by Rigoberto Perezcano (2010) González falsos Profetas by Cristian Díaz Pardo (2014) and La Carga by Alan Jonsson (2015). In 2009 he was awarded as best actor at the Bratislava Film Festival for Norteado, and at the Morelia International Film Festival for González, falsos profetas for which he also won a Diosa de Plata award in 2015 for best actor.

Daniel is a young man suffering from low selfesteem, who is incapable of defending himself from the abuses of employers and of society in general. He is medicated with antidepressants to make his monotonous life more bearable; however, far from helping him, the medication worsens hiscondition with hallucinations and psychotic thoughts of vengeance that lead him to a state of total confusion.


An ambitious and insensitive tabloid crime photographer falls victim to a mysterious illness that makes him lose, one by one, his five senses.

Tori, a beautiful young woman, accidentally ends up with a criminal's merchandise and is accused of the death of a member of a Colombian cartel: “El Jefe.” Desperate Tori asks for help from her friends Camila and Priz. The three decide to sell the product to a well-known local cartel to solve their problems and request the help of "Shakira", a hitwoman who knows the market, but they do not know that the buyer with whom they are doing business is the original owner of the merchandise.

When Sonia receives the news that her husband’s cancer has progressed to a critical stage, she races to secure the insurance company’s approval for the care that can help him.

It's 1994 in Mexico, the nation was witnessing a turbulent year since its beginnings. An indigenous rebellion shakes the country. Three months later, the ruling party's presidential candidate is brutally murdered during a rally in Tijuana. The country is concerned. Nobody knows who's behind this event, it all points to a conspiracy. Andrés Vázquez, an intelligence expert, is commissioned to lead a secret investigation parallel to the official government issued one. But another expert agent, el Seco, has received orders to wipe out all witnesses and get rid of the evidence surrounding the candidate's murder. As Andrés begins putting the pieces of this intricate puzzle together and comes closer to the truth, he realizes he's also putting his life and that of his loved ones in peril.

Andres reaches the Mexican border to cross into the United Sates. There between each attempt, he discovers that Tijuana is a troubled city. As he waits there, Andres is not only confronted with his feelings and what he left behind, but also with those he meets.

A tormented father witnesses his young son die when caught in a gang's crossfire on Christmas Eve. While recovering from a wound that costs him his voice, he makes vengeance his life's mission and embarks on a punishing training regimen in order to avenge his son's death.

A series of auditions is taking place in a museum-like living room. Various men improvise or deliver prepared lines, rehearse gestures and slogans, aim guns, and collapse as if mortally wounded. The theme of revolution is repeatedly invoked. In between, there are scenes of a desert landscape. Three men seeking to join the Mexican Revolution at the beginning of the last century have lost their way. Conflicts smolder among them, water is running low, and mutual mistrust is beginning to take hold. Placing the reenactment of a possible historical event alongside the preparations for it serves to underline the theatricality of every cinematic account of history. Moreover, on a kind of playful meta-meta-level, the scenes in which the actors feel their way through set pieces from a Beatles song or standard battle slogans allow the viewer to witness the simultaneous construction and deconstruction of a collective myth of revolution.

Director Hatuey Viveros' beautiful film unfolds as a fascinating exploration of contemporary life in Mexico, searching to understand today's world, while portraying a younger generation who lack an understanding of their past. And as we journey with Aina on her own discovery, it becomes clear that the process of her search is just as important as the results.


