The childless sisters Regina, Anja and Susanne are outraged. Their wealthy mother is determined to become a grandmother and offers her fancy villa as a reward for the first of the three daughters to give her a grandchild. But Anja has completely different plans: she is going to emigrate to Brazil with Karin, the love of her life.

When her young son Nikolai disappears without a trace in the subway, German journalist Katharina Wagner suddenly realizes that she has powerful enemies in St. Petersburg. She has returned to show her child his father's grave – but did her husband Viktor really take his own life, or did he stir up a nest of scorpions that ultimately killed him? Katharina has few allies in her fight for Nikolai, but then it becomes clear who is truly on her side.

The director of an art museum in Thuringia and an art dealer from Constance entered into an extremely lucrative business relationship. Director Trützschler illegally supplies Ms. Münzenberg with valuable works of art, which she smuggles into West Germany through an intermediary, abusing the transit routes. The business flourishes until they both fall into the CIA's intricate web. They are put under pressure and used to recruit a scientist from Jena. Will the GDR security forces succeed in thwarting the CIA's espionage operation...?

For almost 30 years, bookseller Jordan has lived and worked in a neighborhood in Berlin that has become a social hotbed. As Jordan witnesses a teenager brutally beating up an older man, he intervenes and files a complaint - with unimaginable consequences ... Director Dror Zahavi ("Everything for my father", "My life - Marcel Reich-Ranicki") succeeded after a screenplay by Jürgen Werner ("Tatort - With a steady hand", "Schimanski - layer in the pit", also with Götz George) an atmospherically tightly staged and outstandingly played portrait of a so-called problem district. Here nothing is glossed over, but instead the reality shown and the powerlessness of our judicial system mercilessly layed bare. A highlight of 2010!

Ernst Stadler is a successful, award-winning chef with his own gourmet restaurant. His older brother Ludwig is also a chef, but is currently in prison. Adrian, the youngest of the three, is a nurse and gay. When their mother dies, they travel together to the funeral in Saxony-Anhalt. There they find a clue about Wickerl's biological father. They track down Ernst's father in Hungary. He had once abandoned his pregnant mother. Adrian is not a brother in the biological sense; he was adopted by his mother as a foundling. Nevertheless, they come to the conclusion: "And the three of us are still brothers."

This elaborate two-part television film features a section from the life of communist worker leader Ernst Thälmann. It begins with the bloody riots on May 1, 1929 in Berlin, in which police officers shot at demonstrating workers, and ends with February 7, 1933, when Thälmann appeared as a speaker at the illegal meeting of the Central Committee of the Communist Party of Germany in goat neck. This period was marked by the struggle of the Communists against the ever stronger National Socialists and the rise of Adolf Hitler.

Nike, 19 years old, is a civil servant trainee at the immigration department in Hanover, but still lives with her father on his farm, where he tries to cultivate strawberries for the first time to overcome financial problems. However, while bringing in the crops, he suffers a heart attack. Suddenly, Nike has to take over business, but soon realizes that most of her father's employees are illegal immigrants.

Little Jan wants to matchmake his widowed father Peter. But dad gruffly rebuffs candidate Lisa. So Jan asks his mother in heaven for help. Whoosh: dog and pet pig can talk and help! Lousy computer animation, bored actors and unimaginative dialog: despite Ferkel and Fifi, it's a complete waste of time!

The story of a Leipzig family from 1987 to the Monday demonstrations in 1989. After the death of her father, a high-ranking officer in the People's Police, the daughter joins the resistance movement around St. Nicholas Church. Phenomena such as obedience, followership, spying and resistance are illustrated in this haunting film based on individual people. A film that provides food for thought for the discussion about the fall of the Berlin Wall and recapitulates contemporary history.