Since his wife's death, Arthur, a peculiar and severe surgeon, cloisters his teen daughter Lucille inside a strange mansion. Desperate, Lucille tries to commit suicide and ends up with her face completely burned and bandaged. Arthur, with the assistance of his aunt, prepares a weird skin graft in order to give back Lucille a face, a face that resembles his beloved and deceased wife. To take care of her, the father then hires Joan, an attractive nurse with a somber past. Lucille and Joan start a forbidden and passionate love affair.

Adapted and inspired from the play Lipsynch, Triptyque is a contemporary urban saga that tells the story of Michelle a schizophrenic bookseller, Marie, singer and actress, and Thomas, a German neurologist. Three lives, three destinies that cross and resonate, Triptyque is a sensitive and deeply moving variation on the themes of memory and identity.

The name "Voss" is given to a high-ranking Nazi criminal who flees from Germany to South America after the end of the Second World War, like hundreds of thousands of other people. The escape route leads across the Alps and South Tyrol to Genoa and from there by ship to a supposedly better world in South America. Most of these refugees were "displaced persons", i.e. people who had become homeless. Many Nazi criminals also used the same escape route to reach safety. The film depicts the conflicts that arise during the flight, but also in South America, where perpetrators and victims meet again. The main characters of the film, he a murderer, she a survivor of Nazi terror, help each other on the run and experience for the first time what it means to love. Only gradually does it become clear who has which past and whether their love can still endure.

Berlin in June of 1940. While Nazi propaganda celebrates the regime’s victory over France, a kitchen-cum-living room in Prenzlauer Berg is filled with grief. Anna and Otto Quangel’s son has been killed at the front. This working class couple had long believed in the ‘Führer’ and followed him willingly, but now they realise that his promises are nothing but lies and deceit. They begin writing postcards as a form of resistance and in a bid to raise awareness: Stop the war machine! Kill Hitler! Putting their lives at risk, they distribute these cards in the entrances of tenement buildings and in stairwells. But the SS and the Gestapo are soon onto them, and even their neighbours pose a threat.

Set in Berlin, 1933, We are Dancers is the story of real-life anti-Nazi drag artist Hansi Sturm and his circle of friends in the immediate aftermath of the Reichstag fire, an event that allowed Hitler to become absolute dictator of Germany. Confronted by a former lover, now a Nazi, Hansi must decide whether to abandon his club or stay and face the Fascists on his own terms.

Those boys you know and love are back! Boys On Film invites you on a voyage of emotion-soaked self-discovery, where same-sex attraction is celebrated, first loves are tenderly formulated, and beautiful secrets burn and bloom. Volume 21: Beautiful Secret includes nine complete films: Theo James Krekis's "Memoirs Of A Geeza" starring Elliot Warren and Tony Richardson; Joe Morris's "We Are Dancers" starring Hans Piesbergen and Simon Eckert; Zachary Ayotte's "My Dad Works The Night Shift" starring Victor Boudreault, Antoine L'Écuyer, and François Trudel; Loïc Hobi's "The Pier Man" starring Hubert Girard and Youssouf Abi-Ayad; Jason Bradbury's "My Sweet Prince" starring Yodi Roodner; Abel Rubinstein's "Dungarees" starring Pete MacHale and Ludovic Jean-Francios; Sam Peter Jackson's "Clothes & Blow" starring David Menkin and Nancy Baldwin; George Dogaru's "A Normal Guy" starring Vlad Bîrzanu and Pedro Aurelian; and Pierce Hadjinicola & Sinclair Suhood's "Pretty Boy" starring Orlando Norman.