An amorous lieutenant is forced to marry a socially awkward princess, though he tries to keep his violin-playing girlfriend on the side.

The captain of a battleship of a small Balkan country is fed up with following strange orders from the country's queen.

Lilian Harvey plays Eva, a young girl taking some time in a health spa and spending her evenings in the town's vaudeville theatre enamoured by a heavily made-up clown called Quick. Quick takes a shine to her and tries to woo her without make-up and masquerading as the theatre's manager. Unable to resolve her feelings for Quick and the theatre manager, Eva is angered when she finally learns that they are one and the same.

In 19th century Paris a hedonistic woman marries an aristocrat but has trouble keeping faithful to him.

Fresh out of prison a small-time crook finds his girlfriend's dropped him, which sends him into a murderous rage.

Originally Liebeswalzer, this German operetta was the third talkie vehicle for the effervescent Lillian Harvey. The plot is a typical Graustarkian affair, with Princess Eva (Harvey) preparing to marry a duke whom she's never met. Getting cold feet, the duke ducks the wedding, persuading a handsome young commoner named Bobby (Willy Fritsch) to take his place. The wedding goes on as planned, with Eva never suspecting that her new hubby is a ringer. Eventually, the false duke confesses everything, leading to all sorts of intrigue before a happy ending can be realized. Love Waltz was simultaneously filmed in an English-language version, which posed no problem for the British-born Harvey but caused a few uncomfortable moments for her Teutonic co-stars (eventually, Willy Fritsch was replaced by John Batton, who'd played a bit role in the German version).

Also known as Darling of the Gods, this was Emil Jannings' second talkie appearance. Jannings stars as famed operatic singer Albert Winkelmann, who is greeted with cheers, applause and romantic propositions whenever he performs in his native Vienna. But when he embarks on a tour of South America, tragedy strikes. The sweltering climate causes Winkelmann to lose his voice on stage, a disaster met with hoots and cat-calls. Dispirited he returns to Europe, where he soon learns that no one is aware of what happened in South America. Intending to retire so as not to be exposed to further humiliation, Winkelmann is goaded back on stage -- where, miraculously, his gorgeous voice returns.

When a prostitute is murdered in a cheap Berlin boarding house, an investigating judge suspects that the killer is her boyfriend, unaware that his own son and daughter are also mixed up in the case.

Just gotten dumped via text message by her boyfriend, Ottilie Giesecke from Berlin cannot resist her father’s offer to spend a few days holidaying at Lake Wolfgangsee in the Austrian alps. Although the city slicker doesn’t think much of Schlager songs and mountains, she moves into the “Weißes Rössl” inn, where Dr. Otto Siedler immediately courts her. At least in Leopold, Ottilie finds a kindred spirit, because the headwaiter has been hopelessly in love with Josepha, boss of the hotel, for years. While the two cheer each other up, the next problem is already looming: Sigismund Sülzheimer wants to buy the Weißes Rössl in order to blow it up - of course out of heartache.