A nobleman gradually falls in love with a woman he was forced by relatives to marry, against his will.

Simultaneously shot German version of Italian Terra Madre: A young aristocrat, planning to spend time in town, returns to sell his farmland to a modernizing new owner, thus threatening the welfare of the peasants who work for him.

In the mountains of the Ötztal, the wealthy Fender (Eduard Köck) and Wally (Heath Hatheyer), his only daughter and heir, manage a small farm. He wants to marry the rich, but boring, Vincent (Leopold Esterle). Wally escapes to a mountain hut, where she lives alone and withdrawn. Her love belongs to the hunter, Joseph (Sepp Rist). When she unwisely takes a young vulture from its nest and is attacked by the mother, Joseph comes to her aid and from that point on, she fondly calls him her "Geierwally". He also feels attracted to her, but Wally can't escape the feeling, that the young Afra is his mistress. Mad with jealousy, Wally announces that she'll marry the one who kills Josef. Vincent wants to earn her hand and is determined to kill the Geierwally. Just in time, though, the actual relationship between Joseph and Afra is clarified.

Jack Clifford caught in a web on intrigue attempts to extricate himself.

For three difficult orphans living by her aunt the former employee of the family searches a new premouth; he releases with it a result of tumultuous involvements. - Humble-entertaining mistake farce, completely fitted on Hans Moser.

In a cosmopolitan city vaudeville theatre, meeting place of the most successful artistes, the art shooter gets in suspicion to have committed a murderous poster on his jealous partner. - Not particularly successful mixture of vaudeville theatre numbers, artiste's destiny and crime film tension, on an average produced and played. A production rotated in Budapest with the popular dancer La Jana.

A grumpy valet takes corrective action with mumbling peevishness in the fortunes of his family household count.

Starring Betty Amann in her most famous leading role, Joe May's Asphalt is a luxuriously produced German Expressionist classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of Berlin traffic.