Directing
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Dennis Renfield is your average broke gen-z slacker - who's main interests are partying and hanging out with his best friend Maurice. His lifestyle is in desperate need of an adjustment after being offered a cushy, high-paying office job out of the blue. Will he manage this newfound responsibility? Or will his pale, bloodthirsty, and sociopathic boss get in the way?
Three cowboys lose themselves in desert. On the run, they are confronted by evil forces that make them question themselves and their surroundings.
Steph is going nowhere in life, while others around her do. Before she ends it all, she goes to one last party on a tab of LSD - where she faces drunk punks, living corpses, and an entity that follows her through a labyrinth she created.
Two teenagers meet a pumpkin crazed man who teaches them the true meaning of Halloween.
Collectively authored cut-for-cut remake of the 1929 film of the same name through the lens of internet-based aesthetics. Drawing a lineage from the experiments of Soviet montage to contemporary trends such as sludge content, desktop documentary, corecore, and database cinema, Man with a Movie Camera (2025) attempts to reinvigorate the popular avant-garde project of a universal cinematic language which was originally developed almost a century ago by Dziga Vertov and The Kinoks.
