On her way home one night, a young working girl who lives alone with her mother is asked to go sleep at her friend's house. She wanders all night in Teheran and meets three men who have different stories.

Behzad, who has been in prison for manslaughter for a long time, has a son who does not know about him. When he is introduced, the son goes through a conflict. Then, as a family, they go to the victim's family seeking consent so Reza would be released.

Cinematic Version of Mortal Wound's first season. Maleki is one of the managers of a successful company run by Rizabadi. Rizabadi instructs him to negotiate a major oil deal with the Norwegians. After signing the contract, the Norwegians want to transfer the contract amount, which is several million dollars to the company's account.

Filmmaker Saman Moghadam details the struggles of three women living in an antiquated district of Tehran in this emotionally resonant drama. Fabria's husband has been morally corrupted, and now it's up to her to take charge of the small café that proves the only source of income to the couple. Saloomeh is a beautiful young woman who dreams of marrying Ebi, but how will the couple survive on the salary of a simple mechanic? Lastly, middle aged Moluk has fallen for a much younger man, and her heart breaks when she discovers that her love is unrequited.

It's a simple story of fondness. "Dead End of Trust" tells the story of a love - from inside - a love made of same "blood" still some time remains which is worth more than what has lasted so far.

A hacker group empty a bank account of a big strong person. The story goes on and now they must pay for that.

A man loses the ability to cry after the death of his younger brother. As he deals with grief and the separation from his wife, he tries to reconcile his job at a football website with depression and a lack of meaning in life.

Hanieh is a broke forty year old woman on the verge of being thrown out from her apartment. She has tried to make a film based on her own semi-autobiographical script for years, but after accepting that she has no luck to fulfill her dream, she has no other choice than selling the script to one of her best friends. Due to her love for the script and its details, Hanieh is not able to tolerate any indifferent and ignorant reactions during the preproduction, but she decides not to get involved in any conflict with the director, the cast and the crew today. However, during the reading rehearsal, others begin to judge her character as described in the script and name her a bastard and a loser...

Arjang, who was born before the revolution in Iran, has been in love with his childhood sweetheart, Roya, for the past 40 years. Roya, however, has brought him nothing but trouble. Now 50, and having experienced a revolution, a war, a divorce and both poverty and wealth, Arjang finds himself still in love with Roya.

Nava tries to convince her sister to get back with her husband, while her own fiance is cheating on her.