Seeking revenge for the murder of his family, a man returns to Hong Kong to track down the killers. He becomes enthralled in further intrigue when his new boss is targeted by the same group.

When To Pa, a member of the prestigious Eagle Claw Clan, commands his followers to carry out a mutinous robbery against the Almighty Imperial Lightning Whip, the victim's children are shaken by his disloyalty. With the help of one of To Pa's former minions, who's grown disillusioned with his leader's unconscionable actions, they organize a battle to avenge their father.

Jimmy Wang Yu leads revolutionaries against the Manchus featuring his trademark huge fights.

In an apartment building in Taipei, a high school girl—the only child in the family on the top floor—leaves home after being grounded for several days. As for the DINK couple in the middle, the husband is going on a business trip but also rushing to his ex-girlfriend who came from the US. Down to the big family with four children on the first floor, the father cannot bear the noises anymore and announces first thing in the morning that he will work overtime today. This is a new middle-class cosmopolitan comedy shaped by multiple narratives.

Star studded swordplay film from Taiwan. An evil tyrant wreaks havoc on the martial world. The Swordsmen of Dragon Gate unite to defeat him.

When our hero comes home from working, he finds his father and wife murdered, and a message written in blood. Its vengeance time... He goes in search of those who killed his family and runs into a spoiled brat and later her brother. Trouble ensues.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Top class swordplay action from Taiwan, where umbrellas are used as swords.

Peigang, his family's only son for three generations running, is to be executed on account of larceny, but not without the intervention of his grandmother.