
Acting
Hamza Meziani is an actor born on February 9, 1993 in Morocco. He was born into a Berber-Moroccan family and grew up, with his two sisters and five brothers, in Ichniwane, a locality of the commune of Temsamane, located between Nador and Al Hoceima in the Riffian regions. His parents are farmers. In 2000, the family moved to Corsica where he joined several support groups and ended up getting his bachelor's degree with honors. In 2012, he played one of the main roles in his first film, The Apaches by Thierry de Peretti. The film was presented at the Directors' Fortnight at the 2013 Cannes Film Festival. The following year, he joined the École du Jeu in Paris, where he followed an intensive course directed by Delphine Eliet and Nabih Amaraoui for two years. In the following years, he appeared in several short films, television productions and found himself in the headlining in Bertrand Bonello's Nocturama and Neil Beloufa's Occidental. From Wikipedia, the free encyclopedia

At Christmas, three garbage collectors are surprised to be invited to the Prime Minister’s house.

While thousands of tourists invade the beaches, camping grounds and clubs, five teenagers from Porto Vecchio hang out. One evening one of them leads the others to an unoccupied luxury villa. They spend the night there. Before they leave, they steal some objects of no value and two prize rifles. When the house owner arrives from Paris, she complains about the theft to a small local boss she knows…

In 2043, Melissa, a young eco-worker, sails the Mediterranean Sea on her smart boat the Rainbow, with her trained dog Cham. As she collects mass of drifting plastic waste, she sorts and trades this material on the global recycling market. One day, she saves a baby monkey from drowning, and takes him on the boat. This encounter will change the path of her life.

Sofiane, the son of a former Algerian diplomat, has travelled a lot. Having moved to Lyon for his studies, he is the victim of an administrative decision and lives under constant threat of deportation. In the hope of regularising his situation, he agrees to work for a Muslim funeral parlour. Between parties, encounters and his job, Sofiane finds himself on a journey of initiation that will lead him to build his own identity and gradually move towards adulthood.

Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.

In the heart of their hood, Lola and Moha are staggering home. On their way, they come across a car, the lights are on… as if someone had forgotten to close a door. The opportunity seems too good, Lola convinces her lover to do it. Moha finds the keys in the glove compartment. From that moment on, it’s the great disinhibition of ambitions; how far will they go with this “borrowed” car full of gas? Why not trade their suburb for the sea?

Some young folks, tired of the society they're living in, plan a bomb attack over Paris before taking shelter for a night in a shopping center.

David and Eliab, two apprentice jockeys, get to know each other through admiration, rivalry and jealousy.

Robin lives with his aunt in a small town on the Mediterranean. A strange request from his ex-girlfriend Aurélie turns his life upside down: she wants him to get her some heroin. Robin, willing to do anything to win Aurélie back, throws himself headlong into the task...

The mood is heated. Demonstrations are taking place across France, also in front of the Paris hotel where an Italian named Giorgio is booking the bridal suite for him and his boyfriend Antonio. Hotel manager Diana doesn’t trust them and calls the police to get rid of the odd couple. Italians? Homosexuals? Criminals? In the charged atmosphere of the Hotel Occidental, little is needed for initial suspicions to be aroused.

