1962 Japanese movie

1962 Japanese movie

A unique depiction of the awakening of male and female sexuality in youth.

1962 Japanese movie

In the late 1890s, coal is a precious new natural resource. During an era of rapid economic growth, dreams are instilled into the lives of many across Japan. A vigorous young man with a look of fearless determination, sets foot on the northern part of Kyushu, an area where Yakuza thrived. His name is Kingoro Tamai (Yujiro Ishihara). With plans to travel the world, Kingoro worked diligently at a coal mine. His loyalty and hard work earned the respect of his peers, his courage won the heart of the beautiful Mon (Ruriko Asaoka), and his success evoked jealousy in his enemies.

1962 Japanese movie

The four kinds of love that Yuriko experiences, namely, a childhood longing love, a dream of marriage, a maternal love, and a destined love between parents and children over two generations, as well as the sisterly love between Yuriko and her sister Kaori.

The story follows Misako Kitaoka, a junior college graduate and Nitto Lease sales department employee, as she grows through work, love, and friendship. For the sake of the company's managing director and his wife, Misako recommends her colleague Tensuke Sone to Fusako, the managing director's daughter and best friend. Fusako and Sone meet at the executive director's Karuizawa villa, but for some reason Kensuke becomes angry when he learns that Misako is the one who recommended him...

The Akiba and Shimura crime families run the streets of “K City”. With the construction of new buildings and new factories underway, the city has sprouted into a boomtown and business is good. Two of the most infamous mobs of Tokyo want a piece of the pie. As out-of-town yakuza flood the city overnight, the crime boss of the Akiba family, Tezuka (Joe Shishido), is released from prison after a five year sentence. He does not like the "change" he sees.

This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.