A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

Masuo and Sazae are enjoying their newlywed life in their new house, even though they are in company housing. Masuo's colleague is invited to thank him for the newlyweds, but Masuo has been told by Managing Director Hanamura to go on a business trip to Kansai. Before long, Masuo contacted Sazae to come to Osaka.

Sazae's wish came true and she got married to Masuo. The two ended up living together at Sazae's parents' home, the Isono family. However, the newlywed life that started at the Isono family was a disaster. At the Isono family, where bonito and Wakame pranks and neighbors visit, it is difficult even to be alone.

Sazae finally gets married, but right after that, Masuo is transferred to Osaka. A heartbroken Sazae sends her parents on a silver wedding trip, and eventually heads for Nikko, a travel destination. Sazae is once again overwhelmed by the sight of the newlyweds bustling with sunlight, but...

An adaptation of the popular Sazae-San comic strip. The first entry in the series shot in TohoScope.

An adaptation of the popular Sazae-san comic strip

An adaptation of the popular Sazae-san comic.

An Ishiro Honda film.

A university graduate determined to become a fishmonger defies his mother's wishes, tangles with bar hostesses and a beer company heiress, and—after misunderstandings, brawls, and a second chance—discovers that maybe the salaryman life isn’t so bad after all.