A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss's son arrives at Iran to take over his father's company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that's when the tables turn on him.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.

An armed veteran of the Iran-Iraq War takes hostages at a travel agency after failing to raise enough money for his injured comrade to travel abroad for medical treatment.

A once thriving reception hall has been reduced to catering to the funeral business and the somber rituals of death. The owner, Soleimani, is a sour, lonely and unloved old man who treats his workers with contempt, inflicting small cruelties whenever possible. Embittered and seeing a psychologist, he decides he will close the business in twenty days, sending his staff, already fighting just to get by, into a state of fear and uncertainty. Like a close-knit family, the staff members endure their daily suffering together. These good-hearted people include an ostracized young widow trying to survive with her daughter; a chef with a paralyzed arm who has a demanding wife; and two young men, working but homeless, who must sleep in the company's truck. Despite Soleimani's indifference to their plight, the people on his staff have retained their hope and humanity. As the threat of closure nears, they work together to save the hall and at the same time attend to each others' emotional needs.

This film is about the interest of a person named Ahmed in cinema. Ahmed has been very interested in cinema since his childhood. He started working in cinema as a teenager because of his interest. Ahmed is currently a famous tea man in Iranian cinema.

The story of this animation takes place in Tehran in year 2121 AD and is about the life of Akbar Agha (Mehran Modiri) and deals with social and cultural problems.

A young man steals a smuggler's goods and tries to sell them in a trip with his beloved to the border.

A young man is badly injured in a football stadium. His older brother does anything, even risks his life, to earn enough money for the operation.

A corrupted police officer insists on bribing a broke man, so he has to go to everybody and do everything in order to be able to pay him in the very night.

It’s 1988 and, at the height of the Iran-Iraq War, Tehran is bombed relentlessly. The days that pass are full of foreboding, and yet, love, affection, hope and life itself manage to sweep away the fear of death from those surrounded by it. Love may often be difficult to comprehend, but death is a horrible certitude. ‘Bomb, A Love Story’ shows how, even when faced with the darkness of death, love and hope will find a way.