Desperate to help her son, Rabiye Kurnaz, a housewife and loving mother from Bremen, goes to the police, notifies authorities and almost despairs at their impotence and in the end, against all the odds, something truly remarkable happens.

Grim, recently retired 'iron judge' Ernst Blessing lives alone with his dog since his only daughter left angrily 18 years ago. Suddenly he's informed she died in a car crash, which landed her husband, Turkish Kurd Baran Amedi, in hospital. Loner Ernst is now required to mind his grandchildren, which he didn't even know having, resourceful rebel Dilo and his brat sister Hewi. Both sides' prejudices and principles are tested in practice. When Dilo finally respects Ernst and wins his heart, Baran arranges for the kids' 'repatriation' with a backward uncle.

For the music historian Jakob collapses his well-ordered, quiet world, when he realizes that he can earn no more money with his original work. When he hears that a Türkpop label is looking for a summer hit, he sees his chance. Although this genre of music is completely alien to him, he decides to expand his knowledge in this area in order to find "the" summer hit and be able to pay his rent again. Out of necessity, the lover of Bach cantatas and dark concert halls exchanges his old Berlin apartment for an extended weekend for an apartment in Istanbul

Hatice has a problem: she desperately needs a man. Because her younger sister Fatma is pregnant and must marry immediately. However, that is only allowed when Hatice is under the hood, as the old Anatolian tradition, to which the father Ismail firmly clings. But where should Hatice find a groom so fast? Because a Turk may not be under any circumstances, which may blaze in the German man already a bit Turkish fire. And so Hatice goes in search of her "Hans with hot sauce".

Five toilets - five stories! This pitch black comedy relentlessly illuminates the darkest corners of society, thereby revealing a colorful potpourri of human perfidy. The five intertwined episodes are staged in the manner of an intimate play, occasionally testing the audiences moral judgment.

Old Matthiesen isn't really very friendly with his daughter Esther. She has fled to her parents' riding stables with her 105-kilo bundle of joy son David because her boy is in trouble with the police again. To her and, above all, Matthiesen's surprise, her sisters Rahel and Thirza also flutter back into the nest: they all bring problems with them - and yet they want to help dad pay off his "latrinous" farm...

Fate has taken its toll on the aging cabaret singer Ruth and the young but terminally ill Jonas. Yet despite their great age difference and their entirely opposite experiences in life, they form an intense bond and give each other a reason and purpose to live.