A street vendor who lives in the outskirts of São Paulo returns home at night and does not find her teenager son. After a nonstop search, she finds out the boy was killed by the police and his body is missing. This is the beginning of this woman’s vertiginous fight for the right to bury her son, a fight that will not only unveil the excessive violence of one of most lethal police forces of the world, but also how structural is racism in Brazilian society.

Inspired by the masterpiece of concrete music "Symphony for one man" Pierre Henry (1950), the film tells the story of a common man leaving the interior of Brazil to try life in São Paulo. The city, in its perpetual process of construction and deconstruction view from the microcosm of a construction site, its workers and a profusion of machines in full swing. The metaphysical revolt of this character is the revolt against his condition and against everything that humiliates him.

Gualtieri is an apathetic ex-cop, fighting himself, almost nothing excites him. That is why he accepts an easy job in the jungle of the triple border. Investigating how and why a person was killed becomes the key to revealing other truths that should be buried under the wet red soil of the place.

Giuseppe Garibaldi (Gabriel Braga Nunes), 32 years old, commander of the republican rebels that invade Laguna, Santa Catarina, during the Farrapos War (1835 - 1845), finds his soul mate in Anita (Ana Paula Arósio), 18 years old, wife of local shoemaker. Between passion and battles, they will define the course of their lives and influence the course of the revolution.

Nosferatu arrives in a town escaping from Van Helsing. He brings not only his curse, but ghosts from his past. In this escape, he dives into a macabre dance searching for an actress and faces the horror of eternity and the pain of an endless existence.

A public appearance from international soccer player Marquinhos at Aurelio's bar launches a series of vignettes which spotlight Brazil's obsession with the round ball game

Quinzinho has a promise to keep: to take his son, Neco, to the city to watch a Mazzaropi movie. They live in a small farm in São Paulo. In this odyssey through the towns of São Paulo, he also takes his wife Zulmira, who goes unwillingly, and their donkey Policarpo. On their journey, they find regional peculiarities and undergo magical situations related to popular belief.