Play performed at Fredriksdalsteatern in 1999, based on Hurra, ein Junge by Arnold and Bach. It was originally performed in Swedish with Nils Poppe, but when Eva Rydberg took over, a new production was created.

A young student reports her mother missing. The next day, the mother's body is found buried in the sand close to the family's house.

A womanizing journalist is on the outs with the cops who want him in jail and a mysterious "thin man" who wants him dead.

On a foggy day, Julia's six-year-old son Jens is called missing. Despite a thorough search, the boy is never found. Twenty years later, Julia’s father receives one of the shoes Jens was wearing the day he disappeared. Who sent it? Why? Is the boy still alive? This inexplicable act suddenly awakens a hope in Julia that she might see her son again… or that she could find his body and murderer. As she returns to her father’s island, she hears stories of the mythical Nils Kant – a murderer who once was the terror of the island. He is dead and buried for years, long before Julia’s son disappeared. But Julia’s father uncovers that his death and burial were only a fake. While on his tracks, Julia accepts the help and love of Lennart, a local police inspector. His dark and mysterious past brings him a lot closer to Jens’s disappearance that she might think…

A hunting team meets before the annual moose hunt. A fatal accident occurs that severely tests the loyalties of those involved.

Martin Svensson was an evil and brutal man that drifted around in Skåne with his family in the beginning of the 20th century.