
Directing
György Fehér (12 February 1939 – 15 July 2002) was a Hungarian film director and screenwriter. In 1972, he graduated from the Academy of Theatre and Film Arts, majoring in directing and cinematography. Between 1980 and 1982, he was artistic director of the Móricz Zsigmond Theatre in Nyíregyháza. He graduated from the Academy of Theatre and Film Arts in 1972, majoring in directing and opera. Between 1980-1982 he was artistic director of the Móricz Zsigmond Theatre in Nyíregyháza. His first feature film, Szürkület (Twilight) (1990), won a special prize at the XXII Hungarian Film Festival and various awards at international festivals such as Locarno and Strasbourg. His film Passion (1998) won the Grand Jury Prize for Feature, Experimental and Short Films, the Best Director Award, the Best Actor and Actress Award, the Cinematography Award and the Gene Moskowitz Award from foreign critics at the XXIX Hungarian Film Festival. in 1996 he published Cyclopedia Anatomicae, an artistic reference book for human and animal anatomy with 1500 illustrations. He later published two more books on human and horse anatomy. At the National Theatre in Miskolc, Fehér helmed two plays starring Ági Olasz: Rainer Werner Fassbinder's The Bitter Tears of Petra von Kant in 1998 and Edward Albee's Who's Afraid of Virginia Woolf? in 2000. In 1999, he directed the opera Leonce and Lena by János Vajda and George Büchner at the Hungarian State Opera House.

In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.

Zoltai is a Hungarian professor who returns home after a visit to the United States. Following a television interview, he commits suicide and leaves a note for his longtime friend Dr. Bardocz. The doctor and Zoltai's colleague Komindi join the police in investigating what drove the man to suicide.

A portrait film in which the actors often employed by Fehér (Ferenc Kállai, Péter Haumann and Ildikó Bánsági, respectively) testify with love and respect about the artist's creative method and his pursuit of perfection.


In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

A woman and her lover plot to kill her older husband.

A young man promises a stamp collection to an old man who helps him fix his motorcycle. The old man tries to acquire his reward by any means necessary.

Elderly Hungarians living in an apartment block attempt to gain recognition for their problems from government representatives.

Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of Gloucester, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.

Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of Gloucester, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.


