
Acting
Gwen Watford (10 September 1927 — 6 February 1994) was an English film, stage, and television actress. She married actor Richard Bebb in 1952. Born in London, Watford trained at the Embassy Theatre and the Old Vic. She made her film debut playing Lady Usher in The Fall of the House of Usher (1949). Other films include Never Take Sweets from a Stranger (1960), The Very Edge (1962), Cleopatra (1963), and Cry Freedom (1987). She died from cancer, aged 66, in 1994. Description above from the Wikipedia article Gwen Watford, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.

Three elderly distinguished gentlemen are searching for some excitement in their boring borgoueis lives and gets in contact with one of count Dracula's servants. In a nightly ceremony they restore the count back to life. The three men killed Dracula's servant and as a revenge, the count makes sure that the gentlemen are killed one by one by their own sons.

Peter Carter, his wife Sally and their young daughter Jean move to a sleepy Canadian village, where Peter has been hired as a school principal. Their idyll is shattered when Jean becomes the victim of an elderly, and extremely powerful, paedophile. The film was neither a box office nor a critical success, it garnered criticism for breaking a significant public taboo.

In 1920s England, former clergyman Dr Lawrence keeps his cannibal son locked in the attic after the young man is exposed to savage practices in India. When an auto race is held at the estate, Lawrence worries that his son may escape and terrorise the youth.

Philippa Talbot is a talented London businesswoman who has decided to give up her position and power to become a nun. The man who loves her is in shock over her departure from his life. When Philippa arrives at Brede, a cloistered Benedictine monastery, the abbess who was responsible for convincing her to enter this vocation suddenly dies. Her successor is Catherine, a sensitive leader who's the first to tell the newcomer to the community that all nuns are to love without a preference for one over another. This becomes very difficult when Joanna, a young nun, singles Sister Philippa out and grows very attached to her.

A traveler arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax.

It's the sixties. Gregory loves Ginny, and Ginny loves Gregory. But unfortunately Ginny also loves Philip, or at least she used to, and Philip loves her. Does Philip love his wife too? Ginny tells Gregory she's going to see her parents, when she's actually going to see Philip to break things off. Gregory, thinking to surprise her, gets there first, and the chaos begins.

An illegal psychic teleportation experiment goes horribly wrong, and pretentious promo director Patrick gets his genes mixed with those of a football hooligan. Slowly, he begins to change - taking on some undeniably yobbish tendencies.

When a ransom bid results in the death of a child, the police have only one lead – the old lady who witnessed the kidnapper using a public phone box. Though her recollection is vague, she volunteers to act as bait for the killer – telling the press that she had seen the kidnapper's face and she waits for him to attack.

Tracey Lawrence is assautled in her home and is so affected by the traumatic event she now finds all men totally repulsive, including her husband. Her attitude does not change with time, and to make matters worse her husband has got romantically involved with his secretary. Also, the police still have not tracked down Tracey's attacker and there is no guarantee that she is safe.

