
Directing
Guy Maddin CM OM is a Canadian screenwriter, director, author, cinematographer and film editor of both features and short films, as well as an installation artist, from Winnipeg, Manitoba. His most distinctive quality is his penchant for recreating the look and style of silent or early sound era films which has solidified his popularity and acclaim in alternative film circles. Since completing his first film in 1985, Maddin has become one of Canada's most well-known and celebrated film-makers. Maddin has directed eleven feature films and numerous short films, in addition to publishing three books and creating a host of installation art projects. A number of Maddin's recent films began as or developed from installation art projects, and his books also relate to his film work. Maddin has been the subject of much critical praise and academic attention, including two books of interviews with Maddin and two book-length academic studies of his work. Maddin was appointed to the Order of Canada, the country's highest civilian honour, in 2012.

The further adventure of Nick, Paizs' silent hero sets off to college where he meets Brock West (Winnipeg journalist and rocker Peter Jordon, aka Rocky Roletti). Unwittingly, Nick becomes involved in attempts to restore old campus hangout and the dirty political tricks swirling a hard fought student election. The film successfully weaves the tone of 40s college hijinx movies through the clever spoof of current electoral trends, suggesting how easily old fashioned ethics can turn into fashion.

An amusing melange of '60s spy thrillers and other classics. Super secret agent Nick attempts to liberate a top secret microchip from the clutches of multimillionaire Quinton Frost. Paizs pokes fun at the jet set, the Cold War and Jean-Paul Sartre.

Two paranoid brothers are consumed with murderous fantasies after a horse convinces them that they are each others’ enemies. Starring Guy Maddin (My Winnipeg, Forbidden Room) and Milos Mitrovic (Tapeworm, Stump the Guesser).

Guy Maddin narrates a surreal animated ode to the Métis freedom fighter and founder of the province of Manitoba.

Guy Maddin, who has been nicknamed the Canadian David Lynch, is undoubtedly one of the last remaining Magi of cinema. Despite living in the middle of the digital age, this heretical director hailing from the snowy plains of Canada has spent 25 years transposing the uncommon and the uncanny onto screens over-saturated with naturalistic imagery. A lover of primitive cinema, he has cunningly summoned the light-and-shadow techniques and experimentations of the Golden Age of film to resuscitate a unique cinematographic language which plays with the spectator’s unconscious by means of visual trickery as disturbing as it is absurd. In an attitude as playful at that Maddin’s films this documentary follows the mediumistic experiments of this master of illusion, filmed during the ‘’spirit’’ shootings he presented in Europe.

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

A woman with an oddly hairy belly gives birth to a pair of hands in Marie Losier’s giddily inventive "portrait" of filmmaker Guy Maddin, done as a collaboration between the two iconoclasts. A longtime fan of Maddin, Losier (best known for other inventive portraits of underground film icons like Tony Conrad and George Kuchar) hoped to document him as well; "I hate my voice and face," Maddin replied, and sent her Super-8 footage of his hands instead. Losier interwove the footage into her own distinct tale, shot like a surrealist 1920s silent film. A must for fans of Losier, Maddin and ingenious cinema in general, MANUELLE LABOR was completed for the Berlin Film Festival (where Maddin was the guest of honor). - Jason Sanders A collaboration film by Marie Losier and Guy Maddin. Two sisters, five brothers, a doctor and two nurses and the miraculous birth of a pair of hands, but whose hands?

The last survivors of an obliterated culture search for spiritual bondage in a reality show from hell. A salesman, a triangular door, a demon in the window with three faces. A miracle occurs. Shot on Super 8 film and narrated by Guy Maddin. Featuring Adam Green as the Earth's Salesman.

A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, "no budget" films and with their uniquely enchanting spirits.

The scene is a small paper-producing factory presided over by the shiftless Ari and his long-suffering wife Taryn. Employees include Sybill and Windy, pale young women who toil endlessly at the pulp vats, and the more mature Helen, who is past breeding age. As Ari sits astride his beloved chimney, a Care-Giving Woman appears and offers a rooster to Taryn. The crows of this beast cause ecstatic, erotic disquietude in anyone within ear-shot. The cottage becomes a tropical whirlwind of desire until Helen manages to drown the rooster in the bubbling pulp.

The scene is a small paper-producing factory presided over by the shiftless Ari and his long-suffering wife Taryn. Employees include Sybill and Windy, pale young women who toil endlessly at the pulp vats, and the more mature Helen, who is past breeding age. As Ari sits astride his beloved chimney, a Care-Giving Woman appears and offers a rooster to Taryn. The crows of this beast cause ecstatic, erotic disquietude in anyone within ear-shot. The cottage becomes a tropical whirlwind of desire until Helen manages to drown the rooster in the bubbling pulp.

The scene is a small paper-producing factory presided over by the shiftless Ari and his long-suffering wife Taryn. Employees include Sybill and Windy, pale young women who toil endlessly at the pulp vats, and the more mature Helen, who is past breeding age. As Ari sits astride his beloved chimney, a Care-Giving Woman appears and offers a rooster to Taryn. The crows of this beast cause ecstatic, erotic disquietude in anyone within ear-shot. The cottage becomes a tropical whirlwind of desire until Helen manages to drown the rooster in the bubbling pulp.

After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.

After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing Christ - for the heart of a scientist studying the earth's core.

Pure fantasia, a race to save the world from a fatal heart attack, juxtaposed against a love rivalry between two brothers - a mortician and an actor playing Christ - for the heart of a scientist studying the earth's core.

While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.


