The Marriage of Figaro is one of the most emblematic operas in the repertoire. Brahms spoke of it as a “miracle” and the Countess' complaint still resonates today as one of the most heartbreaking musical pages. It was by resuming Beaumarchais' comedy, which caused a scandal in Parisian society, that Mozart and his librettist Da Ponte began their first collaboration. The play was banned by Joseph II in 1785 at the Vienna Theater. Is it because it exposed too much to the forefront the contradictions of an already faltering regime, ready to collapse with the French Revolution? Netia Jones preserves the very essence of Beaumarchais' play by questioning human relationships with humor but not without mischief, in a production which confuses reality and fiction to the point of asking, like the Count: "Are we playing a comedy?" »

Two youngsters from rival New York City gangs fall in love, but tensions between their respective friends build toward tragedy.

The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 2010 concert was conducted by Gustavo Dudamel and featured Elīna Garanča (mezzo-soprano). On the programme: Hector Berlioz: La Carnaval romain, Op. 9; La Damnation de Faust “D’amour l’ardente flamme”, Camille Saint-Saëns: Samson et Dalila (Excerpts), Georges Bizet: Carmen (Excerpts), Manuel de Falla: El sombrero de tres picos, Ruperto Chapi: Las hijas del Zebedeo, Manuel de Falla: La vida breve, Agustin Lara: Granada.

The Dante Project, which premiered in London in October 2021, is today entering the Paris Opera’s repertoire. To a colourful orchestral score by Thomas Adès, British choreographer Wayne McGregor presents a three‑act ballet inspired by the alternately chilling and sunlit landscapes of the Divine Comedy. Written in the 14th century by Dante, this seminal poem of the Italian language recounts an initiatory journey through Hell, Purgatory and Paradise.

Carlos Cruz-Diez is one of the most prominent and influential Kinetic-Optic artists of our times. At 94 years of age, Cruz-Diez pursues an avant-garde challenge: to free color from form. This documentary follows the Maestro as he undertakes the most daring project of his creative life in his twilight years.

When Clara’s mother leaves her a mysterious gift, she embarks on a journey to four secret realms—where she discovers her greatest strength could change the world.

Bolívar was instrumental in Latin America’s struggle for independence from the Spanish Empire, and is today considered one of the most influential politicians and emancipators in American history. Libertador is told from the viewpoint of Bolívar, portrayed by Ramírez, about his quests and epic military campaigns, which covered twice the territory Alexander the Great conquered, and his vision to unify South America.

This film takes you through the inspiring journey of Venezuela's Coro de Manos Blancas (White Hands Choir) while exploring their daily struggles and lives. Established in 1995 as part of Venezuela's El Sistema program, the White Hands Choir provides artistic opportunities for children, youth, and adults with disabilities, utilizing music for social development and inclusion.

In February 1972, the American president Richard Nixon went to China to meet Mao Zedong. In the context of the war in Vietnam and the cold war, this encounter marked a turning point in Chinese‑American relations. John Adams, a major musical figure of the last forty years, made this event of contemporary history the subject of his first opera. Nixon in China tackles the political thaw instigated by ping-pong diplomacy, begun by the invitation of the American table tennis players by their Chinese counterparts, one year before the presidential visit. A mesmerising work in which the pulsations and repetitions typical of minimalism are combined with melodic lines of great lyricism. For its entry into the Paris Opera repertoire, this work has been entrusted to the director Valentina Carrasco, who underlines the importance and the mediating power of Chinese national sport in history.