Acting
Gustav Opočenský was the son of Bohemian poet and journalist Gustav Roger of Opočenský (1881-1949). Originally, he began to study law, but after closing Nazi colleges in 1939 he headed for the theater, close to art, thanks to his father. He did not undergo any professional training, but after the war he gained his first permanent engagement in the Realistic Theater in Prague (1945-1946). Due to his unbridled inheritance, his father in the mid-1950s came into conflict with the Communist power, he had to go to the theater in Cologne from Pardubice and eventually in 1956 he banned the ban on artistic activity. Then he worked as a miner, later a worker in Stalin's races in Záluží near Most, but at the beginning of the following decade he managed to return to the theater. Subsequent banning of activity silenced Opočenský for twelve years, he reappeared in the film MARATÓN (1968). We can also remind him of his comedic role as an old Nazi in the movie ZÍTRA VSTANU AND I WILL BE TEA (1977). Gustav Opočensky's wife was actress Eva Strupplová (* 1926). Bohemian and artistic family genes also accompany the lives of their two sons, the artist and musician Petr Opočenský (* 1950) and sculptor Pavel Opočensky (* 1954).

Former Nazi Klaus Abard survives to the 1990s by taking anti-ageing pills. He plans to use a time travel trip to return to Germany in 1944 and present Hitler with a hydrogen bomb, so that he can win the war. Unfortunately the pilot, woman-chasing Karel Bures, dies on the morning of the trip and his earnest twin brother Jan impersonates him, without knowing about the plot.

The film version of the theatre musical production by the "Divadlo na provazku" in Brno tells the tale of legendary bandit Nikola Šuhaj from Koločava.

A docudrama about four weeks in the life of famous Czech composer Antonin Dvorak. The drama - filled with many of Dvorak's compositions - begins when the composer suddenly decides to cut a concert in London and return home. While on the train, flashbacks reveal his relationship to his wife Anna and her sister Josefina. Both women gave him inspiration, yet Dvorak is clearly troubled in some way as musical excerpts come and go in his creative mind.

Set in a vagabond and petty bourgeois environment, the three stories deal with the pitfalls of love, the petty and insidious betrayals of trust.

A frightening atmosphere, full of chilling dampness and darkness, follows the fate of a desperate searcher who tries in vain to unravel the supposed secret of the altarpiece...
The happiness that has passed away will never return - this is exactly what a young Polish man learns when, in the immediate post-war period, he recalls how he fell in love with a charming Jewish girl before the outbreak of the war. He manages to find her, only she is already married and has a child.
Eleven-year old Mísa has the temperament of a proper boy and endless problems with the grown-ups. It is no wonder that he longs to become an adult without further delay. Mísa keeps house together with his father and has various duties. After a failed attempt at dish-washing he goes off to the research institute where his father is working on an important invention. He is trying to produce a substance that would make poultry and other animals bigger and thus help the struggle against famine in the world, but so far he has only managed to produce a shrinking substance. After his father leaves the laboratory, Mísa mixes up different ingredients and makes the growth substance. He drinks it and instantly becomes an adult. His father, conversely, turns into a toddler after drinking the shrinking substance with his beer by mistake.
In the young man's imagination, the image of a mysterious house - a mystical building that symbolizes the spiritual world of an unknown faith - persistently returns.

The hero of this popular fairy tale is a young prince who, after the death of his parents, goes out into the world. During his travels he meets a magical talking horse and falls in love with the beautiful princess Slavna. On the advice of his horse, he binds one eye and pretends to be dumb and enters into service as the castle gardener.