
Directing
Gus Green Van Sant, Jr. (born July 24, 1952) is an American director, screenwriter, painter, photographer, musician, and author. He was nominated for an Academy Award for Achievement in Directing for his 1997 film Good Will Hunting and his 2008 film Milk, and won the Palme d'Or at the 2003 Cannes Film Festival for his film Elephant. He lives in Portland, Oregon. His early career was devoted to directing television commercials in the Pacific Northwest. In his films, he has dealt with themes concerning homosexuality and other marginalized subcultures. His filmography as writer and director includes an adaptation of Tom Robbins' novel Even Cowgirls Get the Blues, which features a diverse cast (Keanu Reeves, Roseanne Barr, Uma Thurman, and k.d. lang, with cameos by William S. Burroughs and Heather Graham, among others); and My Own Private Idaho, also starring Reeves as well as River Phoenix. He wrote the screenplays for most of his early movies, and wrote one novel, Pink. A book of his photography has also been published, called 108 Portraits.

When Jay and Silent Bob learn that their comic-book alter egos, Bluntman and Chronic, have been sold to Hollywood as part of a big-screen movie that leaves them out of any royalties, the pair travels to Tinseltown to sabotage the production.

A Paul Joyce documentary on the American independent film scene.

A riveting and emotional journey into the world of writer William S. Burroughs, a man considered as cold as an iceberg on a winter night.

Nigel Nado, the notable documentary filmmaker, is trying to make a movie about some people trying to make a movie. But everything is going wrong. The subject of his documentary, the western 'Guns on the Clackamas' is plagued with problems. The lead actress has a severe stutter. And since she also happens to be the Executive Producer's mistress, there's not much that can be done to remedy the situation. Unsuccessful in turning the movie into a yodeling extravaganza, they decide to fire the actress. This results in having her irate beau pull the plug on the film's financing. The beginning of the end is marked by cast members dropping like flies due to any number of reasons. Bad macaroni salad. Bad chili. Bad caterer. A camera dolly runs over a crew member, severing some key limb or another. Then since no cast member has survived, and the film's producers can't hire replacements, the 'Guns on Clackamas' makers must resort to solutions at once startling and hilarious.

The discovery of an illicit love affair leads two young Angelenos on a violent, sexually charged tour through the dark side of human nature.

The Advocate for Fagdom unites the puzzle pieces one by one. Testimonies are combined with rare archive images. Art galeries present movie extracts that are succeeded by images shot on location. And the other way round. Writers, film makers, art galeries owners, actors and actresses, photographers, producers, friends and loved ones all join in a game of interpretation, analysis or simple anecdotes. John Waters, Bruce Benderson, Harmony Korine, Gus Van Sant, Richard Kern, Rick Castro and others deliver their impressions, theories and confessions. Everything blends into the fascinating portrait of a singular person blessed with singular talents. A complex personality at war not with a system but all systems. The portrait of a man constantly moving between his punk attitude and extreme sensibility.

Strange Parallel is a documentary/short film revolving around the American singer/songwriter Elliott Smith. The film features interviews with Elliott himself as well as fans, friends and other acquaintances of his (including Gus Van Sant, Larry Crane, and the members of Quasi). The film also includes snippets of Elliott Smith performing as well as footage of him recording an unreleased song, "Brand New Game". The film sometimes moves out of reality, with acted-out, metaphorical sequences that involve Elliott considering purchasing a mechanical hand (a "robot hand" ) to improve his music.

Jack Flex is broke, buff, and wildly delusional—but he’s got a dream: to sell his absurd invention, the Heavy Hat, on his mom’s favorite shopping channel. When a desperate producer gives him a shot, Jack’s web of lies—celebrity clients, Hollywood fame—starts to unravel. With just one week to turn fiction into fact, he sprints through L.A. in a chaotic quest for credibility, hope, and a shot at stardom.

Documentary on the history of gay and lesbian film.

Christopher Doyle is one of the best known and most acclaimed directors of photography in world cinema. Born in Australia, he sees himself as an Asian citizen rather than a Westerner. His artistic contribution to the films of Wong Kar-wai, Zhang Jimou and Fruit Chan films, among others, is indisputable. Filmed in DV and Super8, this documentary is a kind of wild and stylized road movie -- from Bangkok to Hong Kong, via New York. The camera follows this eccentric and outrageous artist as he gives us his thoughts on his past and present work. From the recent sets of Invisible Waves by Thailand's Pen ek Ratanaruang, and M. Night Shyamalan's Lady in the Water, to the locations in Hong Kong where he shot some of his most famous pictures, such as In The Mood for Love and Dumplings, Chris Doyle talks about his cinematic fascination for Asian culture.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in a tangled love triangle.

Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

Will Hunting is a headstrong, working-class genius who is failing the lessons of life. After one too many run-ins with the law, Will's last chance is a psychology professor, who might be the only man who can reach him.

In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.

Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

