This somber story of love lost forever is set against the backdrop of the changes that Communism brought to the state of Georgia in the former USSR after the 1917 Revolution. Eva and Archil are deeply in love and they pledge to be with each other always. After they marry, Archil dies suddenly and Eva is left alone and childless. Along comes the ruthless Spiridon who romances Eva and marries her - though his cold and cruel spirit break Eva's naturally buoyant self, until she sullenly eats alone, and avoids intimacy with her husband as much as possible. They adopt a daughter, who does not take sides between her glum mother and silent father. When the Communist cadres enter their village to promote the ideals of the October revolution, Eva starts to warm to her husband a little because he joins in that movement. Then her husband commits the fatal error of revealing a previous crime - an error that will later cause their grown daughter to question her parents' strange behavior.

Tbilisi, early 1980s. From the outside, everything seems calm, but behind this tranquillity there is turmoil. Manana, who used to be a movie star, is no longer remembered by any director. Her childhood friend Rusudan suffers from loneliness despite a successful scientific career. Manana's aunt, Matiko, mourns her late husband. Her daughter, 19-year-old Salome, and her friends are also facing life's difficulties. Through strange coincidences, the lives of the film's characters become intertwined...

The film is set in southern Georgia during Ottoman control, where inhabitants, who were driven from their homes due to enemy invasions, try to return home through different means. One of these inhabitants is the young scholar Antimoz.

A cult of diners, restaurants and an excessive eating prevails in the City of Joy. Different contests are held in cooking the Georgian cuisine. Makro, a famous singer, decides to lend some spirituality to the city of gluttons. For that purpose she decides to set up a gallery of beautiful paintings in one of the city’s restaurants. The owners of the restaurant oppose that decision, but due to Makro’s agility the tenants of the city carry the paintings to the new museum.

In Georgia during WWII Zurikela, an orphan boy, meets Khatia, a blind girl, and vows to help her to see again.

Vakhtang is talented artist but family liabilities don't allow him to work seriously. His wife Eka takes advantage of husband's trip out of town and exchanges her flat for a house in a colorful old city and sets up the artist's studio.

Set in 1937 Stalinist Georgia, the film traces the parallel destinies of a mother, condemned by the government as "an enemy of the people" and exiled to a work camp in Siberia, and her daughter, who meanwhile is sent to an orphanage. Arriving at the overcrowded work camp, the mother and other women who are not considered strong enough to be labourers, must journey still farther, crossing the icy Siberian landscape in search of food and shelter. At the same time, the daughter escapes the orphanage and returns to her former home, where she finds that a KGB officer has taken up residence. He protects her and an uneasy rapport between them develops—one of abhorrence and attraction, need and suspicion.

Elene is an 80-year-old writer who lives with her family, forced to stay home due to health conditions. Her comfort is cracked when her daughter's mother-in-law, Miranda, a former Soviet official, moves into the apartment, and Elene receives an unexpected call from an old love interest, Archil.

The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.

The parents of Patsura and her sisters died. The life of girls is not easy... But when financially secure people wanted to adopt Patsura, she refused, not wanting to part with her sisters.