Three friends, Hilda, Matilda and Gaspar, meet in a rundown downtown apartment during a weekend to chat, drink and experience pleasure.

Ecology - the eco system, a nature reserve in the south of the country - RS (between the Mirim lagoons) shows the harmony between nature and animals.

Sentimental Education centers on the unique relationship between Áurea, a lonely 40 year old teacher, and a young man she has just met by chance – one of these encounters which mythology and literature are full of. A delicate soul who finds itself attracted to a beauty that seems to demand, disturb and move her. That shakes her up entirely. During the days following their first conversation, she will expose all her feelings through classes in which he will let himself be carried away. Until an unusual episode from the past is revealed and changes everything.

A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.

The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.

This fantastic documentary seeks to rescue the Brazilian prehistoric records through popular culture, folklore and legends connected to it. A look at the origin of Brazilian history led by real characters, elders of Brazil’s interior, who keep the myths that have been passed down for centuries in small social groups. With texts by Bernardo Silva Ramos, one of the pioneers in the discovery and interpretation of rock art.

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

In a spellbinding, textural blend of 16mm and HD video, Ana Vaz refracts the colonial history of Brazil and Portugal through objects, gestures, and contemporary customs.