Joana, mother to Vicente, is slowly transforming into a woman-wolf hybrid. Vicente, who has been feeling more and more distant from his mother, lives through a brief event that separates this day from others, gaining hope that the relationship between the two isn’t doomed, and imagines how their joint healing process would be.

A lumberjack’s long-lasting solitude is disrupted once a man shows up at his house asking for water.

This remake of the 1940 film with the same name tells the story of a theatre company, its men and women in love, mistakes and misunderstandings. Chico loves Tatão, who is courted by Artur. Graça loves Chico, but doesn't know he loves Tatão. Santana writes a play for the Grandelinhas that will serve as a guide to Chico passion and convince Tatão that he is a rich count. The play is then staged and they all end up in prison.

Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.