A small town somewhere in Poland. "Małolat", a member of a nationalist militia, is blackmailed into planting a bomb at an LGBT rally in Warsaw. However, he does not know that his gay brother will be at the demonstration. The mother of both characters will get involved in the whole situation. The young man faces a dramatic choice.

In the near future an indifferent activist announces that at midnight on New Year’s Eve he is going to commit suicide in protest against the renewed slavery system in Poland. His plan is put on hold the moment he finds an abandoned slave woman in the trash and decides to help set her free.

A Polish historical film, based on Marek Nowakowski's book "Report on Martial Law. Notes from Everyday Life." An interesting procedure of the production is the combination of a classic feature film with animation stylized as a comic book.

After a teacher dies, his best friend — a former cop — takes a job at the school where he worked to confront the gang he thinks was responsible.

The year is 1939. The world is falling into chaos. Thousands of Poles, held by the Russians in a former monastery, are subjected to brutal indoctrination. An ambitious enemy agent makes it a point of honour to break the resistance of one of them. He is a young, world-famous pianist, respected by his fellow prisoners. His capitulation may result in winning many others over to the enemy's side. An insidious game begins, full of sophisticated manipulation, threats and promises. Can the young artist, a loving father and husband, win a duel with an agent backed by the power and perfidy of the Russian system?

Based on a script by Andrzej Żuławski, this is a fascinating on-screen dialogue between father and son that combines nostalgia and fury, the sublime with humor, and old-school style with a sharp, penetrating look at Polish reality. The eponymous bird talk is the language used by those excluded from the aggressive majority: a history teacher tormented by children, a teacher of Polish studies fired from his job, a girl who cleans a banker’s villa, a florist with a club foot and a student with a fascination for cinema. Pushed to the margins by the extreme right, they defend themselves with irony, songs and quotes from the classics.

A journalist from Warsaw travels to Silesia and manages to find a tenement house full of exceptional inhabitants.

A young photographer moves to Praga, the most notorious district of Warsaw, known for common crime and alcoholism as well as unique folklore. This experience will have much impact on both his personal and professional life.

Mareczek takes Mamusia from a little allotment house in the outskirts where she has been spending the nights recently. It’s too cold for her to stay there. They set out to the city together with Koleś, a stray dog. They had both lost their flat due to the brutal policy of the city authorities and now they keep going from one shelter to the next. Although the dog is a burden in these circumstances, Mamusia doesn’t want to part with it. The woman makes herself comfortable in a squat where she and Mareczek witness the brutal attempt at burning down the building together with its inhabitants made by fascist militia who had left the Independence March on 11th November a moment earlier. The filmmakers used documentary material of true street incidents.

The Polish national chess squad, the 'Golden Team', won the world chess championship in Hamburg in 1930, and was renamed by the German press as the 'Bombenmannschaft' ('Bomber Crew'). The film focuses on team leader, Akiba Rubinstein, alongside his fellow players Dawid Przepiórka, Ksawery Tartakower, Mieczyslaw Najdorf, Paulin Frydman and Kazimierz Makarczyk. They battle to win the trophy as well as dealing with the mental illness of Rubinstein and the outbreak of World War II. The film tracks the fate of the Polish players, some of whom are Jewish, as the Nazis occupy Poland.