At the seafront garden, the members of The Worker's Youth Union and the members of fascist organization are fighting. Absorbed in their feelings Vladko and Aneto have nothing to do with those events. Things at Aneto's big wealthy home look very different from Vladko's small house huddled in the yard. Kiril, Vladko's elder brother, is anxious about Vladko who should have been at the rally, but is writing poetry instead. Aneto and Vladko are happily dancing at the school-leavers' ball. Kiril has killed a German officer. The ball breaks out. Aneto has disappeared in the confusion. Vladko goes to look after her. A group of people armed with clubs and knuckle-dusters beat him cruelly because he is Kiril's brother. Kiril has joined the partisans. Vladko is seriously ill and dies. Kiril and his comrades continue the struggle.

The poor and illiterate village worker Dimo is in love with his landlord's daughter and events take their course...

1950s, Bulgaria. A man has been killed in a quiet little village.

A barrage balloon appears unexpectedly over a Bulgarian village during World War II. The startled villagers decide to knock it down with a fusillade yet the balloon flies off to the mountains. The villagers, armed to their teeth, set off after it. But they are not alone in this undertaking...

A study in human psychology that uses five disparate characters from clearly defined social positions, this film offers as much insight into the society of a changing Bulgaria, as it does into the minds of individuals in conflict. The story centers around transporting a worker's corpse, in a truck, to the mountain village where he was born. In the truck is: a man who may be suffering from tuberculosis, and who has an unfaithful wife at home; a doctor (the intellectual); a bookkeeper worried over the salaries she pays out; a hermit picked up on the road; and the driver who is a rough-and-ready working-class symbol. The seeds for conflict are set both by the personalities of the five in the truck and by their social background. The director Christo Christov, acknowledges his debt to Henri-Georges Clouzot and the Wages of Fear, for inspiration in the treatment of human conflict, its development through a set storyline, and its resolution in each of the five cases.

An enormous egg is found in a village near Sofia.

American filmmakers associated with the mafia are concerned about the great success of Bulgarian films around the world. They decided to send a big spy, Jesse James, to Bulgaria. His task is to blow up the film studios. But the Bulgarian inspector Lokum Shekerov is at his post.

There were times when stealing girls in these lands has been a worthy vocation, was a habit and a sort of custom in Bulgaria. Only the strongest and most experienced men took the profession up. A young and brave Bulgarian highlander was given the job to bring, no matter how, a certain beautiful girl to be married to somebody.

The upper class of the capital has been invited to a party. The guests discuss the retreat of the Germans on the Eastern Front. Havadzhieva, an attractive intellectual, recognizes that the interests of her class require action, not words.

Early 20th century. This is an era of seething passions, aspirations for freedom and national self-identification. Uprising are incited, blood is shed. The picture features national leaders who become heroes as early as in their lifetime. The protagonist is rank-and-file Macedonian who is unwittingly swept by the events. Later, it was his conscious choice. He was a witness of changes, crucial for the nation. He comes across legendary personalities. He gets enchanted and disappointed. He is seeking for the right answers, rethinks what he saw and experienced to tell his story in his simple, but candid and wise words of his own.