It is based on the classic British stage farce and a comedy of misunderstandings centered around a relationship break up and a painting which is called Venice at Dawn.

In Cambria, California, Anna is hosting a New Year’s Eve party. Nina, a long-gone high school friend, makes an appearance at the party after returning to Cambria from New York. Maria, one of the guests, struggles with the feelings Nina’s presence evokes and with facing the party goers: a gaggle of eccentric millennials.

Celebrating her upcoming marriage, bride-to-be Jo invites her childhood friend, and first love, Scarlet, on a girls’ trip to a country manor. However, despite drifting apart as adults, unresolved feelings still linger between them while the rest of the group enjoys the weekend away. With Jo about to embark on a new stage in her life, but struggling to let go of the past, she reflects with Scarlet on the young girls they once were, and the women they are becoming.

Set in a small English village in 1967, liberated Marion is exploring the new social freedoms enjoyed by women in the late 1960s while conscientious and self-conscious Cecily runs the local girls school and is Willa’s main carer. Their differences reach a boiling point over their relationship with Willa, which leads to each sister making their own decision on what it means to have a life worth living.

An experimental re-telling of the last days of the Romanov sisters.

Indigo Valley is the story of estranged sisters Louise and Isabella. When Isabella unexpectedly joins Louise and her new husband John on their honeymoon through the wilderness, tensions arise and secrets between all three begin to surface in unpredictable and dangerous ways.

Woody Allen meets Frances Ha in this new British drama by first-time feature director, poet, actor and publisher Greta Bellamacina. Greta also stars as Celeste, a young mother trying to carve out a career as a poet in modern-day London. Meanwhile, friend and neighbour Stella (played by co-writer Sadie Brown), dreams of being an actor but spends much of her time babysitting Celeste’s son. Part ode to the city, this is a skilfully observed tale of friendship and family with a refreshingly understated sense of humour.

Anni Albers was a prominent member of the interwar Bauhaus art movement in Germany. After Hitler came to power, she left her native country and devoted herself to her work with unwavering passion in the USA. Weaving textile patterns was more than just an aesthetic activity for her; she saw the intertwining of threads as a tangible projection of the very fabric of reality.