Acting
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When Jonas loses his job at a Hamburg startup company, he doesn’t have the heart to tell his girlfriend Katharina, as her nerves are already on the edge with her final law exams coming up. Every morning he leaves their flat and drift aimless through the metropole on endless underground rides. After a chance meeting with his former boss Marc, Jonas starts to observe the young manager. His curiosity gradually turns into obsession, small and bigger everyday lies become a kind of survival strategy for Jonas. While Katharina notices his increasingly odd behavior, Jonas is losing control over events more and more. Flood deals with feelings of powerlessness of the individual facing a growing competitive and performance pressure. The fear of failing in a perceived competition of life kicks off a spiral of wrong decisions, with no apparent way out. Georg Pelzer’s debut was shot basing on a 20-page plot description, dialogues and actions where improvised with the actors on location.
Psychiatrist Dr. Lila Colleti is divorcing her husband and is devastated when he wins custody of their two little girls, whom he gets largely because Lila's job, being a psychiatrist for the criminally insane at the local prison, is a potentially dangerous one that forces her to keep long, erratic hours. When one of Lila's patients, Ed Baikman, is released into a half-way house, he decides under the delusional influence of his psychosis to help her out by murdering her ex-husband and his girlfriend, and then threatening to tell the cops they'd planned it together when she refuses to become romantically involved with him. Though Lila's lover, police detective Macy Kobacek, stands by her loyally, Baikman does such an ingenious job of implicating Lila in the crime that even Macy begins to have his doubts about Lila's innocence