A gay jewish man speaks out about living with and dying from AIDS. He also discusses how being gay has affected his identity as a jew and his relationship with his parents.

HABIT is an autobiographical documentary that follows the current history of the AIDS epidemic along several trajectories. The organizing structure is built around the daily routine of the videomaker -- a veteran AIDS activist in the U.S., and a person who has been living with AIDS for over ten years. As the videomaker moves through his day, attending to mundane errands, eating, taking pills, having conversations with friends (some who have diseases like AIDS and Breast Cancer, and others who are healthy), memories of a recent trip to South Africa reoccur and interrupt the routine. In South Africa, the videomaker meets people with AIDS, fighting to get access to the same life saving drugs that he depends on to survive. It is estimated that there are over four million people infected with HIV in South Africa. The vast majority of people with AIDS in Africa do not have access to medical treatment.

The film examines the case of artist and professor Steve Kurtz, a member of the Critical Art Ensemble (CAE). The work of Kurtz and other CAE members dealt with genetically modified food and other issues of science and public policy. After his wife, Hope, died of heart failure, paramedics arrived and became suspicious when they noticed petri dishes and other scientific equipment related to Kurtz's art in his home. They summoned the FBI, who detained Kurtz within hours on suspicion of bioterrorism.

"Gregg Bordowitz's 2017 performance lecture "Only Idiots Smile" features the artist on a stool in the New Museum's top-floor sky room, riffing on the formation of his identity. At one point, he explains his 'Jewish identity is the template thru which I understand all my other identities… how to appear to others, how we’d like to seem to others,' how others might frame themselves to be seen by us. In this way, Bordowitz gestures at what seems to be the most legible piece of this exhibition, templates for framing — each artist explores variations on the frame through presentation, history, fantasy, sculptural construction, and material." — Rindon Johnson