Gozo Yoshimasu, a pioneer of Japanese contemporary poetry, pursued the vision of his ally, the late Jonas Mekas in Manhattan and Brooklyn. The time is the end of January 2020, just before the coronavirus strikes NYC, and the trip is just in time. This film depicts the dramatic birth of a poem that could be called a requiem on the first anniversary of the death of Mekas, who was considered a giant of experimental cinema

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

A wordless man stages an unexplained hunger strike and the people surrounding him exploit his silence to further their own cause...

Gōzō Yoshimasu is one of Japan’s leading poets, still prolific into his ninth decade. This film documents his 2019 performance of Se (‘back’), a live poetry reading set against accompaniment from avant-garde rock group Kukan Gendai. Blindfolded and wearing a facemask, Yoshimasu plays audio recordings, growls and rasps his way through a rendition of a poem, and channels every ounce of his energy into drawing, using a pane of glass as his canvas. Kukan Gendai sculpt shapes of sound in response: an entire universe thrown into sharp relief by an uncompromising contest between voice and music.