An intense portrait of the iconic filmmaker, writer, actor, comedian and musician Woody Allen: his life, family and friends; his writing and directing habits, and his relationship with performers.

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

A closer look at the making of "Klute" (1971). The project follows the complex shooting on multiple locations in New York with major stars Jane Fonda and Donald Sutherland, under the direction of Alan J. Pakula. The two actors and the director share a little about their perspectives on the film and the experience of being part of it.

Initiated by producer-director Pierre Drouot, Woody Allen for the very first time agrees to let a filmmaker, Belgium's André Delvaux, film him during one of his own productions, Stardust Memories. Woody talks about his work, always steering clear of the anecdotal or the private.

A short documentary on the making of "All the President's Men."

Film Noir burrows into the mind; it's disorienting, intriguing and enthralling. Noir brings us into a gritty underworld of lush morbidity, providing intimate peeks at its tough, scheming dames, mischievous misfits and flawed men - all caught in the wicked web of a twisted fate.

We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.

In the summer of 1968, a group of people assembled in Great Barrington, Massachusetts. They were making a film of John Barth's 1958 novel The End of the Road.

Fog City Mavericks: The Filmmakers of San Francisco is a compelling exploration of the legendary filmmakers who call the San Francisco Bay Area home including George Lucas, Francis Ford Coppola, Clint Eastwood, Chris Columbus and producer Saul Zaentz. The special weaves interviews, commentaries and unforgettable moments from some of the most visionary movies ever created such as American Graffiti, the Star Wars film series, the Indiana Jones film series, The Godfather trilogy, Apocalypse Now, One Flew Over the Cuckoo's Nest, Amadeus, Toy Story, The Incredibles, Lost in Translation, Flags of Our Fathers and many others. It also features interviews with those who have worked with Bay Area mavericks: Steven Spielberg, Michael Douglas, Anthony Minghella, Milos Forman and Frank Darabont.

The chronicle of the mind-blowing journey that was Hollywood during the seventies; the true and gripping story of the last golden age of American cinema, an exalted celebration of creativity and experimentation; but also of sex, drugs and rock 'n' roll: a turbulent and dark tale of ambition, envy, betrayal, hatred and self-destruction.