The film is based on the popular Dutch childrens book by Chris van Abkoude. In a Dutch port in 1921 lives a 10-year-old orphan boy known to everyone simply as Little Crumb. His poverty-stricken mother Lize van Dien filled with shame was forced to turn him over to Mrs. Koster soon after he was born. Foster mother Mrs. Koster, who has cared for him since he was a baby, is very poor too, unable to support him by herself and proves to be a cruel taskmaster who insists Crumb bring her money before shell feed him. Somehow he must earn his keep out on the streets and can only go home after he has earned enough money. Crumb becomes an urchin stealing from the streets barrows and the shops to stay alive, sleeping in churches or huddled in doorways. Sometimes he has to run off from the police and he has earned the enmity of the most grownups around him.

Tony is really handsome, but he smells. A scientist gives him a potion that should get rid of his fishy smell. Unfortunately, there are some serious side effects.

The marriage between sociology professor Patrick and psychotherapist Julia is a successful, stable union, a relationship many envy. It is a partnership in which both find a sense of security and inspiration. The only thing missing is sex. Julia has lost all desire for it. Patrick, however, refuses to resign himself to abstinence. Since both are determined to save their relationship, Julia proposes an unconventional solution to the problem. Online, Patrick finds Claire, a woman who is natural, intelligent, attractive, and desirable. Claire is a woman who knows exactly what she is doing, and who shrewdly leverages her erotic capital to ensure her financial security. The affair is intended to remain strictly sexual. Yet Patrick proves unable to control his emotions as planned. When Claire discovers that she is merely a means to an end for the couple, she begins to cross the established boundaries thereby throwing the entire lives of the married couple, and their family, into turmoil.

Twelve-year-old Luuk Bos has always believed that his father is the Strongest Man in the World. His mother Dorien, who raised him on her own, used to tell him the most wonderful stories about it. During a visit to a local Strongest Man competition, he meets a participant, René Doornbos, who, like him, has red hair. Luuk thinks he has found his father.

Nick Gutlicht lives of illegally selling valuable books, owes money to a bunch of other crooks and has to hide from them. By chance he ends up in the mansion of the famous, now very old philosopher Curt Ledig, who despite the age related forgetfulness and pathological kitchen phobia resists to move to his daughter. Nick is hired by the family as watchdog. Now Curt can work on a presentation for the upcoming symposium, which anybody thinks he's capable of anymore. Nick thinks he has an excellent hiding place. This partnership of convenience of the two individuals quickly develops its own momentum. Curt regards Nick as an exciting research object and subjects him to an absurd therapy. For Nick it's a unique opportunity to fund his finances with Curt's phenomenal library. The strange couple is going through turmoil of incalculable proportions.

The actor Lucas Bron performs the play King Lear by William Shakespeare for the pupils of his son Patja. After the show, Patja has already got home when he is warned that his father's house is on fire. He rushes to the fateful spot. The fire brigade has already arrived and is unable to say whether his father is still in the house. Patja desperately runs into the burning house and finds his father unconscious on the kitchen floor. But Lucas' spirit is in the theatre. In a magic train of thought, just before he dies, Lucas directs and acts, assisted by his son, high points and low from his eventful life in the theatre, but also outside. Theatre and reality become intertwined. It slowly becomes clear that Lucas still has something to tell his son.

This movie is about a group of young people struggling with what 'true love' means. Main character is a boy who doesn't want to commit himself to one woman.

Frisian-spoken costume drama about the turbulent marriage between a writer and a socialist politician.