"It's now seven months over my mother's death. I am facing the S. Miguel island sea, the family land in the Azores. Between the newborn babies, I found my Grandaunt, 91 years old, waiting for her moment to part. At night my family speaks to me of God and death. During the day we swim in the island's volcanic sea, where I meet Florence and Beru, a French couple that is crossing the Atlantic in the Balaou, a sailing boat. They invite me to come with them." Divided in three moments and eight lessons, Balaou is a voyage to accept the oblivion of things.

A cameraman and a soundman arrive in Corvo in 2007, the smallest island in the archipelago of the Azores. Right in the middle of the Atlantic Ocean, Corvo is a large rock, 6km high and 4km long, with the crater of a volcano and a single tiny village of 440 people. Gradually, this small filming crew is accepted by the island’s population as its new inhabitants, two people to add to a civilization almost 500 years old, whose history is hardly discernible, such is the lack of records and written memories. Shot at a vertiginous pace throughout a few years, self‐produced between arrivals, departures and coming‐backs, “It’s the Earth not the Moon” develops as the logbook of a ship, and turns out as a patchwork of discoveries and experiences, which follow the contemporary life of a civilization isolated in the middle of the sea. A long atlantic film‐odissey, divided in 14 chapters, that combines anthropological records, literature, lost archives, mythological and autobiographical stories.

"It's now seven months over my mother's death. I am facing the S. Miguel island sea, the family land in the Azores. Between the newborn babies, I found my Grandaunt, 91 years old, waiting for her moment to part. At night my family speaks to me of God and death. During the day we swim in the island's volcanic sea, where I meet Florence and Beru, a French couple that is crossing the Atlantic in the Balaou, a sailing boat. They invite me to come with them." Divided in three moments and eight lessons, Balaou is a voyage to accept the oblivion of things.

Following a real lost myth, in Vila Chã, we search for the sea women called "fisherwomen" in one of the few places in the world where women are skippers. But where are they and the 120 small-scale fishing boats? There are just 8 boats and a single fisherwoman. In a land of brave seamen, we have filmed the passion for the sea and the passion for fishing. - Doclisboa

Director Gonçalo Tocha and sound engineer Didio Pestana continue portraying different parts of Portugal, as they did in his previous film, "It's the Earth, not the Moon" (2011). Now the filmmakers travel to Guimarães, considered the cradle of the nation, and recently named European Capital of Culture. The film focuses on the architectural and urban changes the city has undergone over time, especially the emblematic Plaza Guimaraes, classified by UNESCO as a World Heritage Site. From interviews, the filmmakers trace the influence of these changes in the daily lives of the people

Director Gonçalo Tocha and sound engineer Didio Pestana continue portraying different parts of Portugal, as they did in his previous film, "It's the Earth, not the Moon" (2011). Now the filmmakers travel to Guimarães, considered the cradle of the nation, and recently named European Capital of Culture. The film focuses on the architectural and urban changes the city has undergone over time, especially the emblematic Plaza Guimaraes, classified by UNESCO as a World Heritage Site. From interviews, the filmmakers trace the influence of these changes in the daily lives of the people

Director Gonçalo Tocha and sound engineer Didio Pestana continue portraying different parts of Portugal, as they did in his previous film, "It's the Earth, not the Moon" (2011). Now the filmmakers travel to Guimarães, considered the cradle of the nation, and recently named European Capital of Culture. The film focuses on the architectural and urban changes the city has undergone over time, especially the emblematic Plaza Guimaraes, classified by UNESCO as a World Heritage Site. From interviews, the filmmakers trace the influence of these changes in the daily lives of the people

Documentary produced upon Raquel Soeiro de Brito's return to the house where she resided during the Mission she carried out on Faial Island (which gave rise to the film Capelinhos Volcanic Eruption). At 95 years old, she returned to sleep in that same house which, by coincidence, now belongs to filmmakers Gonçalo Tocha and Sophie Barbara (who organized a tribute to her).