In this crime melodrama, a Swiss woman finds herself unwittingly involved in a plot to steal from her employer, a London diamond merchant. Her boyfriend is behind the scheme. First he sends two accomplices disguised as German jewelers to see the boss. He is not fooled by their ruse and is killed while the woman is knocked unconscious. She awakens with amnesia and begins aimlessly wandering the London streets. Thinking that his girl has squealed to the police, her boy friend begins scouring the town to find her. Meanwhile, she is taken in by a boxer who returns to the ring to win the money needed to get her out of the country. Trouble ensues when her lover finally finds her after the match and begins beating on the exhausted fighter.

A plastic surgeon and his nurse join a bizarre circus to escape from the police. Here he befriends deformed women and transforms them for his "Temple of Beauty". However, when they threaten to leave, they meet with mysterious accidents.

Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.

A petty thief breaks into the home of a psychiatrist and gets caught in a web of a doctor who wishes to experiment on him and a doctor's wife who wishes to seduce him.

Taking its title from Harold Macmillan's widely-reported Cape Town speech about the process of decolonisation in Africa, The Wind of Change showed the other side of the coin: the impact of colonial immigration at 'home'. The film deals with the 'colour problem' within the context of Teddy boy violence.

British diamond smugglers use the radiowoman (Phyllis Kirk) from a freighter docked on the Thames to unwittingly "mule" their swag, hidden in cigarettes, past customs, not knowing that she has befriended an Inspector for the Thames River Patrol.

When a law-abiding demolition expert is duped by a gang of criminals into helping them he is caught and jailed. When he is released he goes straight and then notices a leading citizen in his town is cheating his neighbours.

The sinking of the Titanic is presented in a highly realistic fashion in this tense British drama. The disaster is portrayed largely from the perspective of the ocean liner's second officer, Charles Lightoller. Despite numerous warnings about ice, the ship sails on, with Capt. Edward John Smith keeping it going at a steady clip. When the doomed vessel finally hits an iceberg, the crew and passengers discover that they lack enough lifeboats, and tragedy follows.

A study of absurdity in a suburban family: father recreates the Old Bailey in the living room while the son teaches speak-your-weight machines to sing in the attic.

A washed-up actor has a nervous breakdown and believes that he really is the movie monster that he has been hired to play. Created as an episode of Nigel Kneale’s “Beasts” horror anthology miniseries.