The longing and critical review of the copla is lived through the history of the marqués de Almodóvar, a passionate ambassador who organized Franco's folkloric festivals; generous, womanizer, excessive, wasteful, himself the protagonist of his own copla. In love in his youth with a Concha Piquer chorus girl, he dedicated his life to collecting fetishes and memories of all the cante divas with which to organize a sentimental museum in his decaying castle, filling it with showcases where he could store his longings. When he died, destitute, in the pension of his last mistress, also a cupletist, she disputes her legacy with the housekeeper who took care of him and her picturesque collections all her life. family castle. A dear diplomatic friend recalls his fanciful existence emotionally. An aesthetic that is part of the feeling of the Andalusian people. And as a common thread "Ojos Verdes", the most beautiful song of songs of his rich songbook.

The film tells the touching story of Alfredito, a sacristan in a country church: in a long flashback he talks about his life and his deep love for his mother and for the Virgin Mary, both 'beloved mothers' (madres amadísimas). From the discovery of his sexual identity to his first love, from his military service to his move to the big city, his personal experience traces the history of Spain, from Franco's dictatorship to the achievement of democracy. A baroque melodrama where the protagonist's homosexuality and religious belief together form a single devotion, passionate and unwavering.

Maria has just moved into a decaying flat in a poor neighbourhood. She left her family in the countryside because she could no longer stand her father's authority. Pregnant by a man who refuses to see her, Maria gets by as a cleaning-woman. When her father is brought to the city for an operation, her mother moves into her flat.

Palmira, a woman belonging to the Sevillian aristocracy, as well known for her decrepitude and hypocrisy as the rest of her population, enters into an emotional crisis when she reaches maturity.

Ana is an elderly woman who has recently been widowed. Like many people of her age and education, she will have to find a reason to give meaning to her life. When her son Antonio asks her to look after his grandson Ezequiel, Ana sees that the boy has suffered the mistakes of an authoritarian upbringing and decides to help him fulfill his dream of becoming a choreographer. With her grandson, Ana embarks on a dreamlike journey that leads her to discover other women in her neighborhood who, like her, are trying to live a new life.

An Andalusian duchess has the dilemma of what to do with a grove, whether to convert it into a natural reserve or to make a luxury urbanization. The duchess, who is torn between her aristocratic privileges and a social commitment that has cost her more than one dislike in the past, must make a decision about her lands, to which she wants to get some money without harming the people. On the other hand, An ambitious Basque financier, Antónón Ibarrondo, intends to build a luxury urbanization in the Marbella style in the grove. Around the duchess, the businessman, environmentalists and other members in the conflict, problems begin to arise and everything will be decided in a referendum, convened with the idea that it is the people who decide, which coincides with the annual celebration of the Pilgrimage del Pueblo.With a cast "

Two Spanish women from different generations find themselves sharing a hospital room in Belgium. María has been living there for decades after emigrating when she was young and Verónica is a young girl recently arrived in search of opportunities she never found in Spain. A strange friendship is forged between them and this leads María to set out on a return journey to the south of Spain with an unusual mission. What begins as a search for Verónica's roots will become an opportunity to open herself up to the world and question certain principles on which she had based her life.