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An attempt to reconstruct the complete version of Pier Paolo Pasolini's segment of La rabbia.
A street strewn with papers. The legs of passers-by. A young man crosses the street. Then we find him in the middle of a discussion with a friend. “Are you still determined to leave? – Yes, I'm leaving today at five o'clock by plane. »
"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
Father Maurice, a priest living in a residential college for priests in Rome, is called out one day to "exorcise" the devil from someone. The devil turns out to be in the form of a fun-loving man called Giuditta. What Father Maurice doesn't know is that this type of devil will turn his life around.
Oppressed by her husband, her lover, and her obsessive mother, a bourgeois woman is reunited with a childhood companion at the central train station in Milan. Throughout 24 hours there, she will experience her particular descent into hell.
A young poet falls in love with a sophisticated woman who hates poetry. But the poet wants to win her with poetry — and a bit of help from his mum.
Pier Paolo Pasolini's voice introduces a monologue featuring Carlo, the poet's alter ego, set in a desert space with an almost lunar appearance: an expanse of sand under a starry sky. The man stages a sort of erotic liturgy bordering on self-destructive anxiety: he will offer himself to twenty hustler street boys, before a spectacular sunset, which recalls the strong colors of Sirk or Kazan melodramas, puts an end to the whole affair.