Frances Mayes, a 35-year-old professor and writer from San Francisco, decides to take a tour of Tuscany following a difficult divorce. After impulsively buying a run-down villa in the Italian countryside, she begins to piece her life back together in unexpected ways.

Andrea and Filippo love each other and have been together for many years, which is why Andrea thinks the time has come to get married and registers a request with the municipality with his own name, as if it were that of a woman: Mrs. Andrea Viglione. Being civilly united with Filippo is not enough for him, he wants marriage. He doesn't know, however, that many issues will have to be resolved before that day. First of all, Filippo doesn't find the courage to tell his father and grandfather that he is gay. But Filippo isn't the only one who doesn't have the courage to tell the truth in his family. Also Anna, Andrea's mother, who has rebuilt her life in the United States is unable to tell her husband Anthony and her son Jimmy that Andrea is gay. Especially since Anthony is running for governor of Kansas for the conservatives and his son Jimmy, while still a child, is already a talented evangelical preacher of strict principles.

Giada is a overachieving student who works to pay for college. Riccardo is a spoiled brat who answers her tutoring ad in order to improve his abysmal grades. She's shy and homely. He's handsome and brazen. As they say, opposites attract.

Giulia and Carlo have been happy together for three years, but Giulia's announcement that she is pregnant sends him into a secret panic. Terrified at his imminent entry into the adult world of irreversible responsibilities, Carlo finds himself tempted by a bewitching 18-year-old girl, Francesca, whom he meets by chance at a wedding. The possibility of one last youthful crazy fling before the impending prison of parenthood proves to be too attractive to resist.

A police inspector has to help an eccentric stranger who seems to have lost his memory.

Teenage problems intertwine during the occupation of a high school in Rome. Silvio—much like his peers desperate to lose his virginity—wants to make his move on the girl he likes, despite her being already his friend's girlfriend and not knowing that her best friend harbors feelings for him—while clashing also with his parents, onetime Sixties radicals who look down on the kids' aimless political commitment.

A businessman is leaving for his family vacation in the South Pacific when he finds out that a rival has emptied his bank account. To save face he and his family lock themselves in the house, pretending to have gone on their trip, but it is not so easy to hide from the outside world.

Jack is a motorcyclist and Greta is a music student. They share a chemistry they cannot deny and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. But Greta is sick.

Nicola is a 6-year-old boy who lives with his family in an old apartment divided in two by a long corridor. His parents' relationship is slowly falling apart, as money is running low and love is fading. To escape the violence, Nicola hides himself in the fantasy world of his toy soldiers. But as the tension increases day after day, the young boy begins to see the corridor slowly turning into a war trench and getting to the front door is no longer a matter of going to school, but the only way to survive.

The film follows Nello, the recently hired director of a newly developed work cooperative of former mental patients. After the closure of state psychiatric hospitals and asylums in Italy under the Basaglia Law many former patients were left with few resources and little hope of reintegrating into society. With the intention of actually improving the lives of his pupils, rather than just sedating them, Nello encourages them to expand their individual abilities and explore the wider world around them although, regardless of intention, there is sometimes a price to pushing boundaries too quickly.